Tuesday, May 31, 2022

Beauty in a Parking Lot

Beauty in a Parking Lot
All photos are copyright Joseph S. Valencia, All Rights Reserved. They may not be used in any way without express written permission of the photographer. If you wish to use any of the photos you may contact the photographer at valencia32photo@gmail.com

Roses

"What's in a name? That which we call a rose by any other name would smell as sweet." - William Shakespeare (Romeo and Juliet)

I was in the parking lot of a local supermarket the other day waiting for my wife to finish her shopping. I was parked next to a "divider" with various bushes in it; among the bushes I found the beauties. I will freely admit that I am not very knowledgeable about plants and flowers but concensus seems to be that these are hybrid tea roses - specifically Adolf Horstmann.

As is often the case, the first thing I did was take out my phone and fire off a few images. The camera has a macro-mode so I used that and got in close. The first image shown here is from the phone, edited using Lightroom for Mobile on my Samsung tablet. I am always impressed by how good the images are coming from the phone, I wouldn't want to make a large print but they are nice for sharing online.

The rest of the images were made with my DSLR, as listed in the section below.

I quickly set up the tripod, attached my remote release, and mounted the camera. Quickly was key; one of the biggest obstacles in flower photography is wind and I could feel a slight breeze starting to blow. The closer you get to your subject, the more pronounced the problem. Of course, one way to combat movement is with a fast shutter speed but it was a cloudy, late afternoon and there was a lot of dark green to contend with. I don't like boosting my ISO beyond 400 and even that is a last resort. This meant working quickly, while at the same time being patient - sometimes having to wait a while for the wind to stop.

“We are all dreaming of some magical rose garden over the horizon instead of enjoying the roses blooming outside our windows today.” – Dale Carnegie

I ended up with about a dozen different images of three (3) different blossoms; not bad considering I was leaning against my car and didn't move more than about five (5) feet the whole time. It is amazing what you can find if you just take the time to stop and smell the roses. 😃

I'm sure most of us see the plants growing in, and around, parking lots but how many actually stop to look at them? Do we notice but not really see them? What is the most unusual place that you have made images of flowers? What is the most unusual place you have made any image? I would love to hear your story in the comments below.

You can see more images from this photo session by visiting my Instagram - @Valencia32Photo.

If you enjoyed this post, please do me a small favor and share it with others. You will find buttons for many of the popular social media platforms at the bottom of this post. Thank you!


    Technical information:
  • Camera: Canon EOS Rebel T3i (crop sensor - 1.6 factor)
  • Lenses: Canon EF-S 18-135mm f/3.5-5.6 IS
  • Tripod: MeFOTO Roadtrip Classic
  • ISO 100
  • All focal lengths are as-recorded - the full-frame equivalent in parenthesis.
  • Shutter tripped with wired shutter release.
  • Aperture-priority was used for all exposures used in this post
  • Information in parenthesis after exposure settings indicate "exposure compensation" setting, if used



Thursday, May 19, 2022

Art Exhibit - Summer Nights

Art Exhibit - Summer Nights

Summer Nights

“Holler if you’re ready for some summer nights.” – Rascal Flatts

I am happy to announce that I will have two (2) photographs, Childhood Memory Maker and Splash on the Rocks selected for the Summer Nights exhibit at The Gallery @ Thompson Park. I am even happier to announce that I will be joined by my daughter, Katie, who also will have a photograph in the exhibit. Check out Katie's Facebook page. The show runs June 3rd to August 10th, Wednesday to Sunday 12pm-4pm. There will be an Opening Reception on 3 June 2022 from 5:00 PM to 7:00 PM.

All artwork is available for sale with 30% of the proceeds going to the gallery to help continue programs like this one. This is my fourth time exhibiting at The Gallery having participated in Into the Woods, The Silence of Winter, and Neon Spring. I will leave links to blogs posts about those exhibits below.

Childhood Memory Maker

Childhood Memory Maker is one of my favorite images and is an example of one of those times that keeping your eyes open pays off. I had stopped at the beach in Spring Lake because I saw one of the jettys covered in sea gulls. I walked over to the jetty and took a number of images of the birds, ocean, and rocks. I came away with a few reasonably good images but as I was walking back to the car I came across the winner!

I learned a long time ago not to put my camera away until I get back to the car. There have been a couple ocassions when I lost a great opportunity because I wasn't ready. I found this child's shovel abandoned in the sand; immediately drawn to it, I set out to find the composition. I knew it had the potential for being a special image but didn't realize how good it would be. The way the shovel is perched at the top of the "wave" of sand, perfectly undisturbed sand surrounding the shovel, and alternating pattern of light and dark sand repeating throughout was almost too good to be true.

I have been asked if I set this shot up and the answer is, "No, this is scene is exactly as I discovered it."

“Because there’s nothing more beautiful than the way the ocean refuses to stop kissing the shoreline, no matter how many times it’s sent away.” - Sarah Kay

A Splash on the Rocks

A Splash on the Rocks is from a series of images I made during sunrise at Ocean Grove. Whenever the ocean is involved (or any constantly changing subject) you never really know what you are getting until after the shutter is tripped. Sunrise at the beach is a special thing to witness and something I don't do nearly enough. While most sunrise/sunset photographs are wide-angle and show as much of the landscape (or in this case, seascape) as possible, I also like to get a bit more intimate with the scene.

Luck was with me this particular morning, the tide was rising and there were plenty of good-sized waves to add interest. After getting my rising sun peeking over the horizon I decided to get closer to the jetty to capture the interaction between the waves and jetty. One of the biggest challenges capturing water is choosing the right shutter speed for the ocassion. A high speed shutter will freeze the water, showing each individual droplet, bubble, and anything caught in the wave. The slower you go, the more "fluid" the water gets, blurring detail while showing motion. I prefer the slower speeds as I feel they have a calming affect to the viewer. There is just enough blur in this image to show motion, yet enough detail to show bubbles in the water and droplets flying away from the splash.

I hope you can get a chance to stop by the exhibit to see my photos up-close-and-personal but also to see the work of so many other talented artists - such as Katie. I also hope you will consider making a purchase while there to help support the arts and local artists.


If you enjoyed this post, please do me a small favor and share it with others. You will find buttons for many of the popular social media platforms at the bottom of this post. Thank you!




Saturday, May 14, 2022

Backyard Discoveries: Azaleas

Azaleas

Azalea Japonica

It was two (2) years ago that I published Lily of the Valley closely followed by Backyard Discoveries here; I also published My COVID-19 Backyard Boredom Project on my other blog. This blog post is a continuation of the project.

Capturing the Images

I live in a neighborhood where everyone has a mailbox at the end of their driveway, most with small flowerbeds planted around them. We have daffodils and a clematis planted in our bed and I often find myself sitting in the street setting up my tripod during various stages of the daffodil's life. I can only imagine how entertaining it must be for any neighbor watching as I try to stand up. 😉 😄 The other side of the driveway has two (2) small shrubs (I forget the name, but they are some type of dwarf shrub), the azalea bush, and an evergreen tree that grew up out of nowhere. I never really paid much attention to that side of the driveway but something caught my eye the other day and I am glad it did.

I noticed the red petals of the azalea against a dark green background, and wondered how many times I have looked at them but never really saw them. I ran (okay, I didn't run, I slowly walked) into the house, put the mail on the table, grabbed my gear and headed back out. It was an overcast day with a bit of a breeze making it challenging to get sharp images - I like to keep my ISO at 100 whenever possible, going as high as 400 if I have to. For those blooms in deep shadow I used a large aperture in order to keep the shutter speed up, something I usually don't do with flowers. The limited depth of field turned out to be a good thing in many of the images, would you agree?

The next day I was back out to the azalea bush again, the sun was out and there was almost no wind. The images used here were made over this two-day period.

Processing the Images

When I started my digital photography journey I shot exclusively in JPEG, mostly because I didn't understand RAW but also because I wasn't a firm believer in Photoshop. I was of the opinion that it was "cheating" and felt that way until a friend brought up Ansel Adams. Ansel was not only a master photographer, he was a master printer; spending hours perfecting the print with dodging and burning, along with other techniques. I realized that Photoshop, and Lightroom, were digital darkrooms and that it was okay to use them.

The majority of my post-processing is done in Lightroom, the only image in this post that saw any Photoshop work is the first one - that is actually a two-image focus stack that was blended in Photoshop after some editing in Lightroom.

Ordinarily, I would open up the shadows, bring down the highlights, bring up the "whites", darken the "blacks" and then do some fine-tuning of the overall exposure, contrast, vibrance, etc.... That was my "standard" editing workflow for quite some time; about the time of my "backyard discoveries" project I started modifying how I edit my flower images and I couldn't be happier with the results.

I start in the Calibration panel by tweaking the Red Primary, Blue Primary, and Green Primary saturation - I don't do anything with the hue or shadows in this panel. It is then that I go up to the Basic panel setting my white balance and then using "auto" to see what Lightroom thinks the image should look like and give me a jumping off point. This is the point that I start to deviate from my "normal" workflow.

Now I darken the overall image, especially the shadows. I use masking - often a radial filter - to work on my subject, brightening it up, opening up some of the shadows, bringing up some vibrance and fine-tuning the contrast. Depending on the image, I may then duplicate this mask, invert it, and further darken the background while decreasing saturation. I like the way this isolates the subject and creates a moody feel to the image. I have the RAW image, as-well-as the finished image, shown here so that you can see the difference.

The Rest

You can see more images from the two days I spent shooting the azalea bush by visiting my Instagram account - specifically here and here. You can see some other examples of this editing technique here and here.

If you enjoyed this post, please do me a small favor and share it with others. You will find buttons for many of the popular social media platforms at the bottom of this post. Thank you!


    Technical information:
  • Camera: Canon EOS Rebel T3i (crop sensor - 1.6 factor)
  • Lens #1: Canon EF-S 18-135mm f/3.5-5.6 IS
  • Lens #2: Canon EF 75-300mm f/4.5-5
  • Tripod: MeFOTO Roadtrip Classic
  • ISO 100 (unless otherwise noted)
  • All focal lengths are as-recorded - the full-frame equivalent in parenthesis.
  • Shutter tripped with wired shutter release.



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