Monday, November 29, 2021

Setting Sun - Rising Moon

Setting Sun - Rising Moon

The Sun, The Moon, One Outing

Once a month (sometimes twice!) we get treated to a wonderful event - a full moon. What makes it even more special is that the moon rises within minutes of the sunset, giving the landscape photographer two wonderful opportunities. I will admit that I don't often get excited about a full moon, I have the obligatory near frame-filling image of the moon but if you've seen one, you've seen them all. I like when I can shoot the moon as I would a sunrise or sunset, as it emerges from (or sinks below) the horizon with a good supporting foreground. Since the full moon rises (and sets) within minutes of sunset (or sunrise) there is still a lot of ambient light allowing shorter shutter speeds. Once the moon gets higher in the sky you often get a white blob unless you exposure stack.

Setting Sun

I often get asked, "Which do you prefer, sunrise or sunset?" The honest answer is, "How is the cloud cover?" For me, the clouds make all the difference. I am usually up before sunrise and awake well after sunset so that isn't a consideration. The sunrise is a bit more challenging because you are setting up in the dark, which makes composing and focusing a bit challenging but there is a certain "magic" about watching the new day arrive. A sunset means you are packing up and going back to your car in the dark which brings it's own challenges.

The sunset here was made at Divine Lake in Spring Lake, a location that is quickly becoming a favorite of mine. I like to plan my photo trips and arrive well ahead of time but this day was one of the exceptions; it was a last-minute trip and I got there as the sun was nearing the tops of the trees. My intended subject was on the west side of the lake, hoping to get the golden hour light on the trees and one of the foot bridges. Immediately upon arrival I had to scramble for an alternative because the sun was already too low. This was one time when previous scouting paid off.

I usually set up with St. Catharine Church as my main subject with the sun setting behind, hoping to get some nice reflections in the lake. I went out one afternoon this past summer to look for other areas of the lake that had potential. I already had a nice composition for foliage (see Autumnal Beauty - Does It Get Any Better?) but I needed more sunset and, potentially, sunrise compositions. I found these stairs during that trip, along with a few other possibilities.

I try to go out periodically for the sole purpose of scouting new locations. I carry my gear with me, just in case, but I go to places looking for possible compositions or areas of interest. If anything looks like it has potential, a snapshot or two are made with my phone, make some notes in a notebook and I move on. I will write another post about scouting in the future as I don't want to stray too far from the real subject here.

Rising Moon

When I was satisfied I had a couple good images I packed up and headed for home. I decided to take the longer way home and drive along Ocean Avenue, I was only a couple blocks away and it is a nice drive. Almost immediately upon turning onto the road I noticed the (near) full moon set against a dark blue sky and surrounded by whispy, pink-tinged clouds - I was not going straight home!

I knew exactly where I wanted to be, Avon-by-the-Sea at the inlet to Shark River. Though I didn't know if the tide was high or even if it was coming in, that was where I wanted to be so that I could use the rocks and get a nice reflection in the ocean. As you can see from the image here, I never made it. As soon as I crossed into Belmar I remembered a sunset I did at Silver Lake, it was when I discovered this beautiful little tree (you can find images from that day on my Instagram feed - here, here, and here.) If luck was on my side, the moon would be close to the tip of the tree. It turned out that the moon was much higher in the sky than I thought but it was still low enough to be included in a few compositions. The image presented here is my favorite of the bunch, you can still see some of the sunset color in the clouds, even though they a bit more subtle than what I saw earlier.

The full moon was the next day and I had planned to return, hoping to catch the moon "under" the branches on the left of the tree or precariously perched at the top of the tree. Unfortunately, that plan had to be scrapped but I made some notes and added a few entries in my calendar to remind me when upcoming moons would be in position - hopefully one will be a "Supermoon." If I get my image, you will find it here and on my Instagram feed.

If you enjoyed these images and would like to see more of my work, consider checking out (and following) my Instagram feed - https://www.instagram.com/valencia32photo/. If you enjoyed this post, please do me a small favor and share it with others. You will find buttons for many of the popular social media platforms at the bottom of this post. Thank you!


    Technical information:
  • Camera: Canon EOS Rebel T3i (crop sensor - 1.6 factor)
  • Lenses: Canon EF-S 18-135mm f/3.5-5.6 IS
  • Tripod: MeFOTO Roadtrip Classic
  • ISO 100
  • All focal lengths are as-recorded - the full-frame equivalent in parenthesis.
  • Shutter tripped with wired shutter release.
  • While on the tripod, "image stabilization" is turned off.
  • I will often use auto-focus to focus on my subject and then turn it off. This makes bracketing easier and I can take successive images without the camera hunting for focus each time - this is particularly useful when it starts getting darker.
  • All images where made using "M"anual exposure, using "live preview" and the histogram as guides. I will often use the built-in bracketing but find that I like the flexibility of manual.
Note: I mention my focusing and exposure techniques for reference only. This is what works for me, at this time. When shooting sunrise and sunset I typically use manual exposure - most other times I will use aperture-priority when shooting landscapes. Find what works for you.



Sunday, November 21, 2021

You make the picture you are offered - Dave Schofield

You make the picture you are offered - Dave Schofield

A Late Autumn Road Trip

I was having a cup of coffee last Sunday morning, reading some news online, and just relaxing when I decided to take a look at the weather forecast. The state was going to be almost completely shrouded in clouds, most of them high with some medium, and so I took that as an invitation to take a road trip. There was no rain in the forecast and the clouds would give me a nice, even light which I hoped would help bring out what was left of the foliage. The trip was well-planned with a final destination, and composition, in mind for sunset at Horicon Lake in Lakehurst. It would take me to three (3) lakes in three (3) different counties - Mercer, Burlington, and Ocean.

The first stop was Etra Lake Park in East Windsor. This is the only stop that I had never visited before but saw some images on Facebook that made it worthy of a first-hand look. Pulling into the parking lot didn't instill much enthusiasm - most of the leaves were gone and it was rather barren - but that never stopped me before. I walked down to the lake, saw there was a little bit of color on the opposite shore but was attracted mostly by an old, abandoned house. If you've been following me for any length of time you may have seen my posts about the Sutfin House on Monmouth Battlefield - there is something about an old, broken down building that I find fascinating. I left with one image of the house and made a mental note to come back. After leaving the parking lot for my next destination, Pemberton Lake, I actually drove right past the driveway leading to the house. Being pressed for time I didn't stop but you can just imagine where my first stop will be the next time I am in the area.

Pemberton Lake in Pemberton is somewhere I visited once before but only stopped at the south end, this time I went to the north. I immediately saw a small wooden deck just a short walk from the parking lot and thought it would make a great platform to shoot from. I know what you are thinking, "Why stand on it when you can use it as a foreground or leading line?" Good question! I didn't have enough room to include the deck in a good composition.

When I walked out to the end of the deck I looked out and saw that the water was green, very green. I am assuming it is some type of algae but have never seen anything like it before. There was some decent color but, unfortunately, I was shooting in the direction of the sun so most of it was in shade. The image shown to the right was the "best of the bunch" as they say. If you click to make the image full-screen you will be better able to see what I mean about the water color.

With the sun getting lower in the sky and a drive of about 30 minutes to my sunset location, I had a big decision to make. Do I drive the (nearly) 15 minutes south to Pakim Pond to check the conditions or go straight to Horicon Lake in Lakehurst for my sunset? The sunset conditions were predicted to be near perfect and I had two compositions in mind so I wanted to leave plenty of time but I also didn't want to skip Pakim Pond. The trip had been planned for just three (3) stops and I didn't have a lot of time to spend at any of them. If I went to Pakim Pond I may miss sunset....

I made my decision and soon found myself on the small, dirt road leading to the pond. The sun was shining, the sky was spectacular and, though there were a number of cars in the lot, there was no one near the benches on the shore of the pond. I found a bench I liked, framed it up and made the image you see to the left. If you look closely, you will see a tiny spot of red in the background, just to the right of the bench. That spot of red lead me to the image at the top of this post, which, in my opinion, is the best of the day. This lone patch of color against the deep green of the pines was striking. I set up my composition and waited for the sun to peek thru the clouds that were now rolling in. I looked at the time, it wasn't on my side. At one point I turned, looked up at the sky and said, "Hurry up! I haven't got much time!" It was at that time I noticed I was no longer alone - a woman was standing at the edge of the water taking a photo with her phone. She gave me a look and started to walk away - I told her I wasn't talking to her, didn't know she was there and just thinking out loud. I don't know if she believed me. (If you are reading this, I truly was not talking to you!).

I stood at the ready for a bit more than ten (10) minutes, time was running out - it was 40 minutes to sunset and I had a 25 minute drive! I bracketed a few shots and headed for the car, disappointed that the sun never cooperated.

As I drove east towards Lakehurst and my final destination of the day, it seemed the sky was getting darker than it should be. Clouds.... Lots of clouds blocking the sun. It was beginning to look like the forecast for high clouds was wrong - we were getting blanketed with heavy medium and low clouds which do not make for spectacular sunsets. Since there wasn't going to be a lot of light my selection of compositions dropped from the three (3) I had planned to only one (1) - the image you see here at left. The last time I was at the lake I took a reference shot with my phone and have been tracking the sunset location hoping to have it set over the end of the deck. This day it was setting right between the trees on the far shore, perfect to a possible sunstar and some nice color in the sky. It turns out that the best planned shot of the day did not come off as-planned. It's a nice image but I can't help but compare it to the one I had in my head when I set out from home at 1:00 that afternoon.

Okay, so what does this have to do with the quote? I'm glad you asked. When I got home that evening I was anxious to process the RAW files and see what I got but not really expecting too much. When I got to this red tree I was pleasantly surprised by how strong the image was - especially since I made the image mostly for reference. I thought I needed the sun to light up the tree in order to make it work. When I posted the image, along with how I was initially disappointed, my friend, Dave, commented with the quote you see here. Dave is a retired sports photographer who now turns his camera on his grandchildren and the local landscape, particularly a rather photogenic little tree in a local park. (You can read my 2017 interview with Dave - here.)

The more I thought about it, the more I agreed with Dave. If you want control over all aspects of your photography, be a portrait photographer, shoot products, work in a studio, etc.... You cannot control the weather or anything else in the natural world, that's what can make landscape photography frustrating and incredibly rewarding; sometimes at the same time! I often quote Ansel Adams and will finish this post with another - “Landscape photography is the supreme test of the photographer — and often the supreme disappointment.”

If you enjoyed this post, please do me a small favor and share it with others. You will find buttons for many of the popular social media platforms at the bottom of this post. Thank you!


    Technical information:
  • Camera: Canon EOS Rebel T3i (crop sensor - 1.6 factor)
  • Lenses: Canon EF-S 18-135mm f/3.5-5.6 IS
  • Tripod: MeFOTO Roadtrip Classic
  • ISO 100
  • All focal lengths are as-recorded - the full-frame equivalent in parenthesis.
  • Shutter tripped with wired shutter release.



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