Thursday, December 30, 2021

2021 in the Rear View Mirror

2021 in the Rear View Mirror

Goodbye 2021!

Well.... If I said that the last two (2) years have been challenging it would be like saying Stephen King has written a few good books. A bit of an understatement, at best. I can say that 2021 has been better and I see 2022 continuing the trend. I am speaking from a landscape photography perspective, of course, as the COVID-19 pandemic is still going strong. I have been able to get out more often and see that trend rising next year. While I was going thru images for this article I noticed something that wasn't much of a surprise - there are no images from July and August, the only images from June came from a trip to Hershey - you can read about that and see the images, here. I typically hibernate during the summer.

The lead image is from April and my first visit to Brick Township Reservoir. There are two parking areas - one on the Wall Township side, the other in Brick Township. The panorama was made on the Brick side.

The Gallery @ Thompson Park Art Show

The Monmouth County Park System hosts an art gallery at Thompson Park in Lincroft where they hold shows throughout the year. I learned about these shows some time this past summer and entered the last one of the year - "Into the Woods". I had one of three images selected and sold the framed print. This was my first local art show, there is an upcoming show in January that I hope to exhibit in, as well as others. You can read about the exhibit, and my print, in my blog post Into the Woods - Art Exhibit.

2021 by the Month

January

January found me heading to Manasquan Reservoir to scope out some new sunrise and sunset compositions; all of my compositions up to now have been over at the Chestnut Point area. You may be able to tell from the image here, it was quite cold and a dreary day but that only means you have to be a little more creative with your compositions.

This is a good example of "Know your rules but also know when to break them." Conventional wisdom says that you should never have the horizon going thru the middle of your frame or the extreme upper/lower portion. The fact that the sky was a featureless, gray mass means the less you see, the better.

I was drawn to the broken ice and determined to find a composition. I was similarly drawn to the "Restricted Area" sign so, with both in mind, I composed the image shown here. Getting down low allowed me to include the rocks along the trail and place the horizon closer to the top of the frame. The dead tree produced a wonderful frame for the sign - I found my composition. The sign in dark brown with bright red lettering making it stand out against all of the gray so color was my first inclination but when all was said and done I think it is best as black and white. If you are curious, check out the color version on Instagram - here.

February

The first decent snow of 2021 arrived in February and I love to play in the snow. The abstract was made after the first storm had passed, looking out my back door I saw the shadows of our lilac bush interacting with the "waves" of drifting snow. I am not necessarily a fan of abstract art but when the opportunity arises I jump at the challenge. You can see this image, as well as another from the same day, in my blog post Shadows and Snow - in abstract. I go into more detail about the image in that blog post so I won't repeat myself here.

That same storm brought the image to the right, "Baby Pine AFter the Storm." I noticed the small tree standing tall at the edge of the woods on the border of my front yard. I was drawn to the green and the contrast of the stark white background, if you look closely you can also see some faint shadows from a tree in the background. The last few years have found me dabbling in minimalism more than usual; snow is a perfect partner for this type of photography.

If we fast-forward two (2) days there is another storm dumping snow, this time is was very heavy and very wet. I didn't put the "raincoat" on my camera so I only went out for a short time but I had to capture the small pine tree laden with snow. I chose a lower angle for this image, including some of the woods in the background. I felt that the snow on the tree, as well as the falling snow, was enough to separate the subject from the background. What do you think? Was I successful? I had enough time that afternoon to walk around to the back yard for a few images before being driven back inside. The best of them can be found on Instagram - here - as-well-as a small holly tree that was made the same day as the "after the storm" shot above - here.

March

My first outing in March brought me to a new location, Twilight Lake in Bay Head. I am always on the lookout for new locations and will often use Google Maps to scope out a place. I get ideas for compositions which often pan out but this was an exception. I found a small deck with benches looking out over the lake, facing the setting sun. When I got there I did a few test shots but just couldn't get excited about what I saw. I liked the location so I got busy; the light was fading fast, the sun was quickly dropping behind a church and trees on the other side of the lake. I wanted to use the rocks as foreground, found it was a bit too busy until I moved back a bit and found this wood pointing right into the scene. The duck (or, more likely, goose) footprints sealed the deal for me. This was my composition! The deck I originally found can be seen in the background. Five minutes later, this entire scene was in shadow. A week later found me at Maclearie Park in Belmar, a place I have become very familiar with. If you have been reading the blog for any period of time, you are probably rather familiar with it, too. My normal subject is a small tree at the far western end of the park - often referred to as "The Tree" - but there are times I want to do more. The bench shown in the image at left has always been there, as has the tree, but it wasn't until this year that I began considering it as a subject and not an afterthought. This is one of my favorite sunsets of the year and I have quite a few sunsets this year.

My next March image was one featured in an earlier blog post, Long Exposure Photography, written at the end of March. It is another minimalist image inspired by some that I have seen on Gary Gough's YouTube channel. This particular image was a 5 second exposure, an earlier image of a different section of beach was 260 seconds but the ethereal feel is very similar. That image, along with a couple others, can be found in the blog post referenced earlier.

Check out my Instagram feed for other March images, including The Tree @ Maclearie Park, a sunset self-portrait at Divine Lake, and "Crown of Thorn" made at Deep Cut Gardens.

April

April was a good month for me. We were well into spring, my second favorite season (my favorite is autumn), and I discovered new locations and new compositions at some favorite spots. You've already seen an image from a new location, Brick Reservoir shown at the start of this article, and the image at left is another new spot. This small island and tree are at the western end of Silver Lake in Belmar. I had gone out earlier in the afternoon to check out a different lake but wasn't happy with what I found. Silver Lake was my backup which proved to be a blessing. I love the shape of the tree and, if you look closely, you can see a blue heron perched on top. A wider scene can be found on Instagram - here - as well as a version of this image without the heron.

The sunset at Sandy Hook is another new one for me. I have been to Sandy Hook more times than I can count but don't get there very often anymore. This is actually the first and, so far, only sunset I have there. I had been out at the "Hook" looking for a sunset composition when I found this - the problem was it was a few hours before sunset and sitting on the rocks wasn't very comfortable. I drove around for a while, picking up some images along the way. I have a black & white image of one of the batteries here and another version of the sunset here.

It wouldn't be spring if I didn't have some flowers. A trip to Deep Cut Gardens in Middletown is my "go-to" place when I am in the mood for flowers. There are flowers to be seen year-round, whether outside in one of there many flower beds, the roses in the Rose Parterre and in the greehnouse. These tulips can be found just off the parking lot, lining the sidewalk leading to the koi pond and Visitor Center.

May

I didn't do much in May, the weather was getting warmer and I was staying indoors. I did get out for a couple of quick scouting trips but don't have any images to show here.

June - July - August - September

The heat of the summer found me hibernating, watching a variety of YouTube photographers, writing, and reading. The camera is always ready to go but there is nothing to show you here. All of my photography thoughts turn to October.

In the open I mentioned that I did shoot at Hershey Gardens in June - I won't post the images here, you can see them in the original post - here.

October

Finally, I get to October and spending time outside. I lead off with an image I have been wanting to make for a very long time and finally got my chance. If you are a fan of the 1980 movie Friday the 13th you may recognize this spot. You can briefly see this sign when the trucker drops Annie off and she crosses the street to walk to Camp Crystal Lake. I thought black and white was the best treatment, you can check out both black and white and color on my Instagram feed - here. Let me know which version you like better in the comment section below. October also found me at a new place - Indian Tower in Nazareth, Pennsylvania. We spent a quiet few days in Pennsylvania with friends and stopped at Indian Tower on the way home. I had done a bit of research before we left and this place looked interesting. I was right. I think it would be a great spot for sunrise or sunset if the sun is in the right spot and would be stunning at peak foliage - it definitely has a spot on my "return to" list.

On the way home from Nazareth we stopped at "The Gap", Delaware Water Gap National Recreation Area on the New Jersey side. As I got to the beach I saw light on the side of Mount Tammany but it was moving quickly and I didn't want to lose it. I dropped my bag (carefully) to the ground, grabbed my camera and squeezed off a few "frames" before the light disappeared. I came away with the image to the right. I set up my tripod, composed my image and waited for the light to come back. I looked at the sky - almost no break in the clouds but I remained hopeful; I really wanted the sun to light up the exposed rocks. As I was looking up I noticed this bright red tree on Mount Minsi standing out against the surrounding greens and yellows. It turned out to be one of my two favorite images captured at the Gap - you can see this one, and the other, on Instagram - here. It isn't often I can walk away with four (4) or five (5) "keepers" from three (3) different locations in one day. I was very tired but very happy when I got home that day.

November

November found me once again on a quest for foliage, this time I went south to Burlington County. I had been on a scouting trip earlier in the year, one stop took me to Pakim Pond in the Pinelands. You can read about that scouting trip and the two Pakim Pond images here, in my blog post, Scouting New Locations. The first image that day at the pond is the wide shot with the bench, it was right after I made it that I noticed the red tree. I got in tight on the tree, waited for light that never came, and made the image shown here before I had to leave. This is one of my favorite images for the year.

If you remember my April images, you might recognize this next image. Once again I unexpectedly found myself at Silver Lake revisiting this tree and island. This time I was out shooting a sunset at Divine Lake and was heading home along the ocean when I noticed the full moon. I knew exactly where I had to be - Silver Lake! If I had planned to shoot the full moon I could have caught it closer to the tree - stay tuned for a future blog post about the full moon rising over this lake.

My last image from November comes from a place I had been to a few times before but never fully explored. Horicon Lake is a wonderful place to shoot and I had been there a couple of times for sunsets only to be stifled by heavy cover of low clouds. The last time I went I arrived with plenty of time before the sun set so I explored a bit. I followed the road past the boat launch and found that it dead ended with a view of the lake in either side. To my left was a small trail that lead to a lake with dead trees, very much like what is found at Manasquan Reservoir. I set up and waited for the show. The image here is the best of the bunch. This is another location I came across by accident but will return to in the future.

December

We finish off the year, surprisingly enough, with December. The black and white image here was a sunset that I did in Oceanport. As I stated earlier, I am always looking for new locations and Oceanport is one place I haven't shot in years. I grew up there and did a lot in the 80's but never seem to get back much anymore. I happened to be at a wedding reception across the river from this park earlier this year and noticed some really nice trees so I decided to spend some time there. This weeping willow is just one of the compositions I found that afternoon. I don't often convert sunsets (or sunrises) to monochrome but I like the way this one came out. You can see the color image, along with others from that afternoon, on Instagram - here. What do you think - color or monochrome?

The next time I went out with a camera I found myself in Oceanport once again. This time it was a sunrise and my subject was a New York-bound commuter train. I came up with the idea for this a year or so ago but it was a sunset and a southbound train. One of the good things about a sunrise during the week is that commuter trains run quite frequently and so I got three (3) opportunities to capture something. The first time I was on the side of the tracks of the oncoming train but wasn't happy with what I saw. I then moved over to the southbound side with a long exposure - I wanted to capture the headlights and then lights from the windows streaking by. The problem was that there was no light coming thru the windows. The best of the bunch was the one shown here - 1/13th second exposure at f/32 to make the headlights into stars.

I took one last photo trip in December which took me to four (4) different locations, three (3) of which I had not been to before. My first stop was Round Valley Recreation Area, part of the New Jersey State Park System. I had planned to shoot a sunrise at the boat launch there a couple months back but ended up not going. The day started out cloudy and gray so when I got to the lake I was looking for compositions that didn't include the sky. The upside was that there wasn't even a hint of a breeze so the lake was mirror-smooth. It wasn't until I got home that I noticed the small birch tree to the right of the cat tails. I really like this image and would like to go back during peak foliage to see if I can improve upon it.

That brings me to my last image, Cooper Grist Mill in Chester. This was my second stop on my last trip and the only one of the four (4) that I had been to before. I was first at the mill in May 2017 and wrote a blog post when I got home, Cooper Grist Mill. It was raining that day and the only good image I got was with my phone so I was looking to redeem myself. I am happy with this image. This is another place I will re-visit one day during peak foliage - not only because I think it will make a great image but also because I look for any excuse I can find to go to this area. I have a lot of fond childhood memories of Chester and nearby Flanders; I always feel good when I am there and also come away well fed. You can read about it in my post, Ice Cream, Oh How I Love You!

So Goodbye 2021, Hello 2022!

So, that concludes a whirlwind tour of 2021 and some of my favorite images of the year. I suspect 2022 will bring much of the same - busy during winter, spring, and autumn while taking the summer off. I have bigger plans for the year and a few more scouting trips outlined - it is a big state and I have just scratched the surface. I am always looking for new places - if you have somewhere that you like to shoot or even somewhere that you drive past that you think would make a good subject, please feel free to let me know in the comment section below. I am always open to suggestions.

Best of wishes for the new year!

If you enjoyed this post, please do me a small favor and share it with others. You will find buttons for many of the popular social media platforms at the bottom of this post. Thank you!




Wednesday, December 8, 2021

Scouting New Locations

Scouting New Locations

Planning vs Scouting

Scouting new locations is a relatively new thing for me but it is now an important part of my routine. Before I get too far along, let me say that I differentiate "planning" from "scouting" - I have been planning my outings for quite some time. Planning takes place, most often, at home sitting at my computer. I may have an idea of where I would like to go and then use Google Maps/Google Earth to do some preliminary searches for compositions. If I am lucky, I can get a decent angle using "street view" and have a good idea as to whether I should go to the area for further investigation. I will also use Instagram, and other social media, to do some planning.

Scouting, on the other hand, involves actually going somewhere and looking around. These trips are most often the result of planning but there are times when I just see something interesting when I am out and make a slight detour. That is one reason why I normally leave the house well before I need to - detours are likely to happen at any time. When I am scouting a location I sometimes leave the camera in the car and use my phone to identify potential compositions. The nice thing about scouting is that I can do it regardless of the time of year, weather, crowds, etc.... I am not there to produce images for my portfolio, just to get ideas. If I find a great image under the right conditions, I will break out the DSLR. When I get back to the car I will make some preliminary notes and then move on to the next place. It is not unusual to visit three (3) to six (6) - maybe more! - places in a single trip.

Why Location Scout?

So, why scout a location? I could just say, "Because it works for me" and leave it at that but there is more to it. My "formal" scouting trips actually started out as simply an excuse to get out of the house and into nature. Since the pandemic hit in March 2020 I have spent almost all of my time at home; I needed an excuse to just "get out." The weather conditions weren't suited for grand landscapes and I was beginning to find myself shooting the same thing over and over again; time to find new places to re-fuel my passion.

When I am on a scouting trip, or "rekky" as some call it, there is no pressure to come away with a portfolio shot or even a "shareable" image. I am like a painter with a sketchpad, roughing out compositions to come back to when I have more time or favorable conditions. A good example of this can be seen here - the first image was made on a four (4) park trip I took in April of this year. It's been years since I have been out to Burlington County and the Pinelands so I researched some lakes in the area, put them in my car's navigation system and took off.

I made a note about Pakim Pond being a place to re-visit for foliage; I was right. I set out one afternoon to scout a new location, Etra Park, shoot foliage at a second, Pemberton Lake, and end the day with a sunset at Horicon Lake in Lakehurst. I got a late start, about 1:00 PM, so I wasn't able to spend much time at my first two (2) stops if I was going to make sunset. This wasn't a problem because the Etra Park stop was just to get an idea of what was there and I had already scouted Pemberton Lake so I had a good idea of my compositions. There are two areas at Pemberton Lake and I stopped at both, coming away with a few decent images. As I was getting ready to head out to Lakehurst I debated a stop at Pakim Pond; I had an extra thirty or so minutes so I took the detour.

This is where my April scouting trip really paid off. I knew about the benches at the edge of the pond so I headed straight to them. I was going to re-create the phone image but shift my perspective a bit so as to include one of the park benches. When I arrived I changed my mind and walked over to the other bench because the sun was lighting up the trees on the opposite side of the pond. The light didn't last long, clouds were rolling in as the sun was beginning to slip below the treetops. I noticed the small, red tree standing out against the dark green backdrop of the pines. I got in tighter, making certain to include the beautiful reflection, and waited for the sun to come out to illuminate the scene. I waited, and waited, and waited a little more - even turning around, looking up and imploring, "Hurry up! I don't have much time!" Of course, I was talking to the sun but unbeknownst to me there was a woman near the other bench who overheard me. She looked, I apologized and explained I wasn't talking to her. Did she believe me? I can only hope.... Anyway, the sun never came back out and I ran out of time. Would the light have made this a better image? Worse? I don't know but I was happy with what I got. What do you think?

Do You Scout Locations?

So, tell me, do you go out on scouting trips? Do you plan your excursions at all? I would love to hear how you plan and any apps or websites you might use. Leave me a comment below with any of your experiences.

If you enjoyed this post, please do me a small favor and share it with others. You will find buttons for many of the popular social media platforms at the bottom of this post. Thank you!


    Technical information:
  • Smartphone: Motorola One 5G UW Ace (I use the built-in camera and the camera in Lightroom for Mobile)
  • Camera: Canon EOS Rebel T3i (crop sensor - 1.6 factor)
  • Lenses: Canon EF-S 18-135mm f/3.5-5.6 IS
  • Tripod: MeFOTO Roadtrip Classic
  • ISO 100
  • All focal lengths are as-recorded - the full-frame equivalent in parenthesis.
  • Shutter tripped with wired shutter release.



Monday, November 29, 2021

Setting Sun - Rising Moon

Setting Sun - Rising Moon

The Sun, The Moon, One Outing

Once a month (sometimes twice!) we get treated to a wonderful event - a full moon. What makes it even more special is that the moon rises within minutes of the sunset, giving the landscape photographer two wonderful opportunities. I will admit that I don't often get excited about a full moon, I have the obligatory near frame-filling image of the moon but if you've seen one, you've seen them all. I like when I can shoot the moon as I would a sunrise or sunset, as it emerges from (or sinks below) the horizon with a good supporting foreground. Since the full moon rises (and sets) within minutes of sunset (or sunrise) there is still a lot of ambient light allowing shorter shutter speeds. Once the moon gets higher in the sky you often get a white blob unless you exposure stack.

Setting Sun

I often get asked, "Which do you prefer, sunrise or sunset?" The honest answer is, "How is the cloud cover?" For me, the clouds make all the difference. I am usually up before sunrise and awake well after sunset so that isn't a consideration. The sunrise is a bit more challenging because you are setting up in the dark, which makes composing and focusing a bit challenging but there is a certain "magic" about watching the new day arrive. A sunset means you are packing up and going back to your car in the dark which brings it's own challenges.

The sunset here was made at Divine Lake in Spring Lake, a location that is quickly becoming a favorite of mine. I like to plan my photo trips and arrive well ahead of time but this day was one of the exceptions; it was a last-minute trip and I got there as the sun was nearing the tops of the trees. My intended subject was on the west side of the lake, hoping to get the golden hour light on the trees and one of the foot bridges. Immediately upon arrival I had to scramble for an alternative because the sun was already too low. This was one time when previous scouting paid off.

I usually set up with St. Catharine Church as my main subject with the sun setting behind, hoping to get some nice reflections in the lake. I went out one afternoon this past summer to look for other areas of the lake that had potential. I already had a nice composition for foliage (see Autumnal Beauty - Does It Get Any Better?) but I needed more sunset and, potentially, sunrise compositions. I found these stairs during that trip, along with a few other possibilities.

I try to go out periodically for the sole purpose of scouting new locations. I carry my gear with me, just in case, but I go to places looking for possible compositions or areas of interest. If anything looks like it has potential, a snapshot or two are made with my phone, make some notes in a notebook and I move on. I will write another post about scouting in the future as I don't want to stray too far from the real subject here.

Rising Moon

When I was satisfied I had a couple good images I packed up and headed for home. I decided to take the longer way home and drive along Ocean Avenue, I was only a couple blocks away and it is a nice drive. Almost immediately upon turning onto the road I noticed the (near) full moon set against a dark blue sky and surrounded by whispy, pink-tinged clouds - I was not going straight home!

I knew exactly where I wanted to be, Avon-by-the-Sea at the inlet to Shark River. Though I didn't know if the tide was high or even if it was coming in, that was where I wanted to be so that I could use the rocks and get a nice reflection in the ocean. As you can see from the image here, I never made it. As soon as I crossed into Belmar I remembered a sunset I did at Silver Lake, it was when I discovered this beautiful little tree (you can find images from that day on my Instagram feed - here, here, and here.) If luck was on my side, the moon would be close to the tip of the tree. It turned out that the moon was much higher in the sky than I thought but it was still low enough to be included in a few compositions. The image presented here is my favorite of the bunch, you can still see some of the sunset color in the clouds, even though they a bit more subtle than what I saw earlier.

The full moon was the next day and I had planned to return, hoping to catch the moon "under" the branches on the left of the tree or precariously perched at the top of the tree. Unfortunately, that plan had to be scrapped but I made some notes and added a few entries in my calendar to remind me when upcoming moons would be in position - hopefully one will be a "Supermoon." If I get my image, you will find it here and on my Instagram feed.

If you enjoyed these images and would like to see more of my work, consider checking out (and following) my Instagram feed - https://www.instagram.com/valencia32photo/. If you enjoyed this post, please do me a small favor and share it with others. You will find buttons for many of the popular social media platforms at the bottom of this post. Thank you!


    Technical information:
  • Camera: Canon EOS Rebel T3i (crop sensor - 1.6 factor)
  • Lenses: Canon EF-S 18-135mm f/3.5-5.6 IS
  • Tripod: MeFOTO Roadtrip Classic
  • ISO 100
  • All focal lengths are as-recorded - the full-frame equivalent in parenthesis.
  • Shutter tripped with wired shutter release.
  • While on the tripod, "image stabilization" is turned off.
  • I will often use auto-focus to focus on my subject and then turn it off. This makes bracketing easier and I can take successive images without the camera hunting for focus each time - this is particularly useful when it starts getting darker.
  • All images where made using "M"anual exposure, using "live preview" and the histogram as guides. I will often use the built-in bracketing but find that I like the flexibility of manual.
Note: I mention my focusing and exposure techniques for reference only. This is what works for me, at this time. When shooting sunrise and sunset I typically use manual exposure - most other times I will use aperture-priority when shooting landscapes. Find what works for you.



Sunday, November 21, 2021

You make the picture you are offered - Dave Schofield

You make the picture you are offered - Dave Schofield

A Late Autumn Road Trip

I was having a cup of coffee last Sunday morning, reading some news online, and just relaxing when I decided to take a look at the weather forecast. The state was going to be almost completely shrouded in clouds, most of them high with some medium, and so I took that as an invitation to take a road trip. There was no rain in the forecast and the clouds would give me a nice, even light which I hoped would help bring out what was left of the foliage. The trip was well-planned with a final destination, and composition, in mind for sunset at Horicon Lake in Lakehurst. It would take me to three (3) lakes in three (3) different counties - Mercer, Burlington, and Ocean.

The first stop was Etra Lake Park in East Windsor. This is the only stop that I had never visited before but saw some images on Facebook that made it worthy of a first-hand look. Pulling into the parking lot didn't instill much enthusiasm - most of the leaves were gone and it was rather barren - but that never stopped me before. I walked down to the lake, saw there was a little bit of color on the opposite shore but was attracted mostly by an old, abandoned house. If you've been following me for any length of time you may have seen my posts about the Sutfin House on Monmouth Battlefield - there is something about an old, broken down building that I find fascinating. I left with one image of the house and made a mental note to come back. After leaving the parking lot for my next destination, Pemberton Lake, I actually drove right past the driveway leading to the house. Being pressed for time I didn't stop but you can just imagine where my first stop will be the next time I am in the area.

Pemberton Lake in Pemberton is somewhere I visited once before but only stopped at the south end, this time I went to the north. I immediately saw a small wooden deck just a short walk from the parking lot and thought it would make a great platform to shoot from. I know what you are thinking, "Why stand on it when you can use it as a foreground or leading line?" Good question! I didn't have enough room to include the deck in a good composition.

When I walked out to the end of the deck I looked out and saw that the water was green, very green. I am assuming it is some type of algae but have never seen anything like it before. There was some decent color but, unfortunately, I was shooting in the direction of the sun so most of it was in shade. The image shown to the right was the "best of the bunch" as they say. If you click to make the image full-screen you will be better able to see what I mean about the water color.

With the sun getting lower in the sky and a drive of about 30 minutes to my sunset location, I had a big decision to make. Do I drive the (nearly) 15 minutes south to Pakim Pond to check the conditions or go straight to Horicon Lake in Lakehurst for my sunset? The sunset conditions were predicted to be near perfect and I had two compositions in mind so I wanted to leave plenty of time but I also didn't want to skip Pakim Pond. The trip had been planned for just three (3) stops and I didn't have a lot of time to spend at any of them. If I went to Pakim Pond I may miss sunset....

I made my decision and soon found myself on the small, dirt road leading to the pond. The sun was shining, the sky was spectacular and, though there were a number of cars in the lot, there was no one near the benches on the shore of the pond. I found a bench I liked, framed it up and made the image you see to the left. If you look closely, you will see a tiny spot of red in the background, just to the right of the bench. That spot of red lead me to the image at the top of this post, which, in my opinion, is the best of the day. This lone patch of color against the deep green of the pines was striking. I set up my composition and waited for the sun to peek thru the clouds that were now rolling in. I looked at the time, it wasn't on my side. At one point I turned, looked up at the sky and said, "Hurry up! I haven't got much time!" It was at that time I noticed I was no longer alone - a woman was standing at the edge of the water taking a photo with her phone. She gave me a look and started to walk away - I told her I wasn't talking to her, didn't know she was there and just thinking out loud. I don't know if she believed me. (If you are reading this, I truly was not talking to you!).

I stood at the ready for a bit more than ten (10) minutes, time was running out - it was 40 minutes to sunset and I had a 25 minute drive! I bracketed a few shots and headed for the car, disappointed that the sun never cooperated.

As I drove east towards Lakehurst and my final destination of the day, it seemed the sky was getting darker than it should be. Clouds.... Lots of clouds blocking the sun. It was beginning to look like the forecast for high clouds was wrong - we were getting blanketed with heavy medium and low clouds which do not make for spectacular sunsets. Since there wasn't going to be a lot of light my selection of compositions dropped from the three (3) I had planned to only one (1) - the image you see here at left. The last time I was at the lake I took a reference shot with my phone and have been tracking the sunset location hoping to have it set over the end of the deck. This day it was setting right between the trees on the far shore, perfect to a possible sunstar and some nice color in the sky. It turns out that the best planned shot of the day did not come off as-planned. It's a nice image but I can't help but compare it to the one I had in my head when I set out from home at 1:00 that afternoon.

Okay, so what does this have to do with the quote? I'm glad you asked. When I got home that evening I was anxious to process the RAW files and see what I got but not really expecting too much. When I got to this red tree I was pleasantly surprised by how strong the image was - especially since I made the image mostly for reference. I thought I needed the sun to light up the tree in order to make it work. When I posted the image, along with how I was initially disappointed, my friend, Dave, commented with the quote you see here. Dave is a retired sports photographer who now turns his camera on his grandchildren and the local landscape, particularly a rather photogenic little tree in a local park. (You can read my 2017 interview with Dave - here.)

The more I thought about it, the more I agreed with Dave. If you want control over all aspects of your photography, be a portrait photographer, shoot products, work in a studio, etc.... You cannot control the weather or anything else in the natural world, that's what can make landscape photography frustrating and incredibly rewarding; sometimes at the same time! I often quote Ansel Adams and will finish this post with another - “Landscape photography is the supreme test of the photographer — and often the supreme disappointment.”

If you enjoyed this post, please do me a small favor and share it with others. You will find buttons for many of the popular social media platforms at the bottom of this post. Thank you!


    Technical information:
  • Camera: Canon EOS Rebel T3i (crop sensor - 1.6 factor)
  • Lenses: Canon EF-S 18-135mm f/3.5-5.6 IS
  • Tripod: MeFOTO Roadtrip Classic
  • ISO 100
  • All focal lengths are as-recorded - the full-frame equivalent in parenthesis.
  • Shutter tripped with wired shutter release.



Sunday, October 24, 2021

Art Exhibit - Into the Woods

Into the Woods

The Gallery @ Thompson Park holds several themed art exhibits throughout the year, featuring local artists in a wide variety of media. The current exhibit, Into the Woods, is the first that I have participated in; hopefully it is the first of many. When a theme is announced, artists are encouraged to submit up to three (3) images representing their art to be reviewed by their guest juror. You may not have all your submissions selected; you may not be selected at all – this time I had one of three chosen, The Serenity of the Woods. Once chosen, you have about a week to prepare your art and bring it to the gallery for hanging. All work is offered “For Sale” with a 30% commission for the gallery.

Into the Woods had its opening reception on Friday, 17 September 2021 drawing a nice crowd. The reception is nice because it gives the artist an opportunity to interact with their audience and for visitors to get to know the artists. This was my first experience seeing my work hanging on a gallery wall and seeing the reactions of strangers; I did have an image exhibited in Greece in 2020 (you can read about it here) but was not able to attend for a variety of reasons. It was exciting and scary at the same time – I kept wanting to have a recording device running so I could hear what people were saying, at the same time I didn’t want to know what they were saying! Talk about conflicted!

I was happy that I was able to share the experience with my wife and daughter, unfortunately my son was stuck in traffic on the BQE…. In 2015 we attended the Senior Art Show to see my daughter exhibiting some of her fine art portraits and now it was my turn, who knows, maybe we will both be exhibited in an upcoming show! It was nice to see some familiar faces, too. I was happy to see that I was sharing the experience with two (2) friends, Sue, and Padma. Sue has a unique photograph of a dinosour “sculpture” (it is made of twigs and branches) and Padma has a beautiful watercolor painting. I have links to their entries below, along with a link to my image without the frame.

I am proud to announce here that, as-of this writing, I have sold the framed print hanging in the gallery and a request has been made by another patron to purchase a framed print. I had hoped to make a sale but never imagined I would walk away with two! If you are interested, there is still time to get a copy. The exhibit runs thru 13 November 2021 – follow this link for further details. I would also encourage you to check out Sue and Padma while there and consider bringing their work into your home, too.

If you cannot make it to the exhibit, you may be able to make a purchase on-line – give them a call or send an email. For more information on this or upcoming exhibits, please email ccarlson@monmouthcountyparks.com, or call 732-842-4000, ext. 3343.

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Friday, August 27, 2021

Oh Deer! Look Who I Found!

Oh Deer! Look Who I Found!
"We are part of the earth and it is part of us… the deer, the horse, the great eagle: these are our brothers." - Chief Seattle

We have been getting a lot of deer in our backyard lately, sometimes as many as three fawns. This one was all alone this morning; I decided to try my luck. It could see me moving around in the house so I got down low, sat still for a few moments and quietly opened the sliding door just enough to stick the lens out.

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Monday, August 16, 2021

A Walk in the Park

A Walk in the Park

Out for a Walk

Lake Topanemus Park in Freehold was one of my favorite lunchtime destinations when I was working in Manalapan. It was there on a mid-May afternoon in 2014 that I came across this gentleman walking along the trail. I was immediately drawn to the red jacket so I stopped, grabbed my camera and fired off a few shots. When I got home I was reasonably happy with the image but it didn't knock me out and I got distracted for others so I completely forgot all about it.

This summer I have been re-visiting some of my older images - some that have been edited and others that I didn't give a second look at. This has been a rewarding exercise because I have re-discovered images that have turned out to be quite good. There have been others that I re-edited as my skills at Lightroom and Photoshop have matured.

When I looked at this image, I was struck, once again by the red jacket. I instantly added a black & white layer, made the edits to create the image the way I wanted it. Then I added a layer mask to the black & white layer, painted over the gentleman with a black brush to reveal the underlying color and VOILA! I don't do "selective color" too often but I think it is the perfect treatment for this image. I have included a fully edited color version of the image for reference. What do you think? Color or black & white? Let me know in the comment section below.

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Tuesday, June 22, 2021

The Beauty of Hershey Gardens

Hershey Gardens 2021

If you have never been to Hershey Gardens in Hershey, Pennsylvania, I hope this post inspires you to put it on your "Bucket List." My wife and I have been there three (3) times, most recently was earlier this month when we visited with close friends of ours. We took a short vacation to Hershey, stopping at the gardens on our first day and then over the Hersheypark the next.

Inside the Conservatory you will find a gift shop, a few exhibits and a Butterfly Atrium. The butterflies are absolutely stunning and I suggest you make a point of visiting. Be warned - it is quite humid in the atrium and if you want to take photographs, let your camera adapt for a while. My first time I spent more time trying to wipe the lens clean than shooting. This most recent time I left the camera in the bag and just enjoyed the beauty around me.

When you walk out the back of the Conservatory you are immediately greeted by the pond and water fountain. Looking past this are endless rows and groups of flowers of all kinds. When we last visited the roses were in full bloom, the first time we were greeted by the perennial gardens.

They say that a picture is worth a thousand words so I think I will stop writing and dedicate the next six thousand words to the photos. I hope you enjoy them.

Clicking on an image will take you to that image in my Instagram feed. I invite you to follow me while you are there.

If you enjoyed this post, please do me a small favor and share it with others. You will find buttons for many of the popular social media platforms at the bottom of this post. Thank you!



Wednesday, April 14, 2021

Why I Left Pixsy

What is Pixsy?

Pixsy (www.pixsy.com) provides a service for photographers by scanning the web for a photographers’ images. If a match is found it is reported to the photographer who can then take a few actions, including filing a case for payment. If a case is filed and a settlement received, Pixsy retains 50% of the settlement and the photographer gets the other 50%. They provide both a free and a premium service.

This post was updated on 16 April 2021 - see "UPDATED" below for details.

My Experience

I joined Pixsy sometime in 2015 with a free membership account. I did not have a lot of images but did have some issues with unauthorized usage in the past. The idea of having a service scan the web looking for my images was quite attractive; it was certainly more reliable than accidently coming across things. I submitted my first case in January 2016, the first of fourteen (14), but it did not get far. While researching the case it was determined the image was purchased from an affiliate of a stock agency the image was uploaded to – it was legitimately licensed, but I was never told.

Most of the other cases were “rejected” for various reasons, most of which were that the guilty party was in a country not supported by Pixsy. There were two (2) successful attempts at compensation (2016 and 2017), as well as two (2) cases that were dropped due to their inability to open a dialogue with the offending party. The first discontinued case was referred to a law firm to pursue the case in Federal court, it was I who decided to drop it at that point because of the uncertainty of the outcome; if I lost, I could be held liable for the defendant’s legal costs.

The last case was against a local radio station that used one of my images to illustrate an article on their website – the image was used as the header image. Pixsy discontinued this case after four (4) months.

Why I Left

I left in December 2018 because the quality of service had been slipping, the searches were sloppy, and their case acceptance criteria made it very difficult to get them to work on your behalf. In February 2019 I was contacted by Pixsy with an offer to upgrade my account – for free – and was assured the services had improved. The free upgrade was enough to give them another opportunity. The searches were being run more frequently and the accuracy had improved, they were also more transparent with their criteria for accepting cases.

Despite the improvements, I still felt that the service was not living up to expectations or its earlier performance. When I first started with Pixsy I was getting a lot of “hits” on my images but not all were actionable. That is okay because at least I knew the search function was working – it was finding my work. The past year has proven to be frustrating due to the very low number of times my work has been found, in addition to a far lower rate of case acceptance. The case alluded to at the end of the last section was the last straw.

The Final Case

I submitted a case in November 2020 - I happen to have seen the article before the incident appeared in a search on Pixsy. The first license fee request to the image user was emailed on 24 November 2020, followed by six (6) more emails before discontinuing the case on 31 March 2021. The “paper trail” on the website only showed two attempts and I had to send inquiries to get status updates – one of which stated that phone calls had been made in addition to emails sent. When I received notice, they were dropping the case I requested all the pertinent information so that I could pursue the case on my own. I did this with the other case that had been dropped.

The only thing I received was a graphic showing the image being used on the website. That is it! I asked again for ALL the information – the full paper trail of who, what, when, how, and contents of the correspondence. I asked three (3) times before getting another graphic showing the dates and a small description of emails that we sent. Nothing about phone calls, no contents of the email, nothing. There was, however, one description where I could see the name of the person contacted – I could not know, however, if they had been contacted each time or if attempts went to others in the organization.

I tried one last time, this time stating that I was going to delete my account if I did not receive the requested information by noon today. Miraculously, I received an email at 11:59 AM! The email explained that they had already given me all of the information that I requested but they could not provide me with the contents of the emails – just that “they included a fee request, an overview of the infringement, an explanation of who Pixsy is, that we are authorized to work on your behalf, and details on how to settle the matter which includes the payment of the license and the removal of the image.”

Now, at no time did I demand a removal of the image – I do not know where that came from, but it was not authorized by me. The fact of the matter is – if they pay the licensing fee, I am more than happy to have them continue to use the image. I know the fee that they told me they were requesting but I have no confirmation whatsoever that it is, indeed, what they requested or if they in any way offered to “work with them” on an equitable solution.

I am now fighting this battle on my own with very little knowledge of the preceding events. I could learn a lot from seeing what work had been done before – how forceful is the language, do they present timelines, were others copied on subsequent emails, was the spectre of a lawyer and lawsuit raised, etc…. I will have to learn on my own and, hopefully, not trip over my own feet in the process.

In Closing

I am now looking for another service and would love to have you leave some of your experiences in the comments below. If you are happy with a service – please let me know. Equally important, let me know if you tried a service and were unhappy.

UPDATE!

The case has been resolved! I sent an email and within two (2) days we worked out an equitable resolution. I believe Pixsy sent the request to the wrong person inside the organization and never properly followed up. My recommendation for anyone going thru this on their own - write an email, send a follow-up after a week. If you get no response, you can send a third email to the person but also send the same via "Certified Mail" and get a return receipt so you have proof of delivery. You then want to work your way up the "food chain" with subsequenct correspondence, if necessary. The key is to persevere and don't get discouraged - you work hard and deserve ample compensation for your work.

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Monday, March 29, 2021

Long Exposure Photography

Long Exposures

A snapshot steals life that it cannot return. A long exposure creates a form that never existed. - Dieter Appelt⁠

I have gotten into the habit of accompanying my Instagram posts with a qoute that in some way relates to the image. I was looking for an appropriate one for this first image and instantly knew it was perfect. Long exposure photography is something that I enjoy but don't often practice. One of the things that is so attractive to me is the essence of the quote - I am creating something the never existed, something not visible to the naked eye. It is nonrepresentational but not necessarily abstract.

When you say "long exposure photography" people have a wide range of interpretations - some say anything slower than about 1/15th or 1/20th of a second while others may think something slower than a full second. I tend to think of anything slower than 1/2 of a second but I have no hard and fast rules. If I am shooting a sunrise at the beach and the sun is in the image, I work on the faster end of the spectrum because I the sun is moving quickly and I don't want it to be just a blog in the sky. If I am isolating some waves crashing on rocks or flowing on the beach, I will work with a slower shutter.

The most important piece of equipment for long exposure photography is, of course, a good, solid tripod. I have seen claims that some of today's cameras can be effectively handheld to as long as two (2) seconds using image stabilization but I am leary. As a landscape photographer you probably already use a tripod for most of your work so this shouldn't be an issue. I would argue that, equally important, is a good imagination. The ability to visualize the end result is something you will develop over time but every image will always be a surprise.

I use long exposures for different reasons; showing motion, smoothing water, and creating mood to name just a few. Each of the images presented here show one of these reasons. A long exposure can introduce a calming effect to a scene, like the Manasquan Reservoir image, and it can be used to create tension or mystery, like the black & white image at the start of this piece. In the latter case the viewer expects to see water but instead is greated by something more like smoke.

So comes the end of another blog - I hope you enjoyed the images and, maybe, I inspired you to go out and try your hand at long exposures. They are a lot of fun and there is no right or wrong way anymore than there is a right or wrong subject. Shooting at night and capturing light trails from cars can be a lot of fun, as can creating your own light trails with a flashlight, laser pointer or sparkler**.

Note: The two images captioned "Spring Lake" were made on the same day, within about a thirty (30) minute timeframe. They are two (2) different areas of the beach but the wave heights and frequency were about the same. You can see how dramatic the difference in exposure time can be.

** Note: Sparklers generate a lot of heat and throw sparks in the air than can start fires if they land on something flammable. They should be used with caution and only under adult supervision.

If you enjoyed this post, please do me a small favor and share it with others. You will find buttons for many of the popular social media platforms at the bottom of this post. Thank you!


    Technical information:
  • Camera: Canon EOS Rebel T3i (crop sensor - 1.6 factor)
  • Lenses: Canon EF-S 18-135mm f/3.5-5.6 IS
  • Tripod: MeFOTO Roadtrip Classic
  • ISO 100
  • All focal lengths are as-recorded - the full-frame equivalent in parenthesis.
  • Shutter tripped with wired shutter release.

For Sale

Waves - Long Exposure #1 is for sale on Saatchi Art. It is available in a 20x20 Limited Edition - follow the link for more information.


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