Showing posts with label abstract. Show all posts
Showing posts with label abstract. Show all posts

Sunday, February 7, 2021

Shadows and Snow - in abstract

Abstract in Nature

There is no abstract art. You must always start with something. Afterward you can remove all traces of reality. - Pablo Picasso⁠

I do not do a whole lot of abstract photography but every once-in-a-while I get inspired. Last week we were hit with a Nor-easter that brought with it about six or seven inches of snow. This was the first substantial snowfall we have had in quite some time as the last two winters were not very productive in that aspect.

While looking out my back door - looking for deer in the woods - I noticed the lilac bush was throwing some beautiful shadows across the snow. The snow had created some subtle "waves" and after a few days of warm followed by cold there was a thin layer of ice crystals giving it a little bit of sparkle. There was nothing else I could do, the next thing I know I am putting on my boots, grabbing my gear and heading to my back yard. It was fairly warm - about 50° so I didn't bother taking time for a jacket, this is t-shirt weather in January! 😆

How many of you shoot snow scenes? How often are you disappointed with the results? I spent a lot of years when I was learning the craft wondering what I was doing wrong. This was in the days before YouTube had 1,000's of tutorials telling you how. I have gotten better over the years but just recently added a "secret weapon" to my arsenal - a set of white balance cards. This is a set of three (3) plastic cards - black, white and 18% gray. When I went out to shoot I laid the cards out in the snow in approximately the same light I was going to shoot and took a frame. This was my reference for color balance. I then filled the frame with just the 18% gray and took notice of the exposure. I now had my "base" settings. This is the first time I used the cards - I received them as a birthday gift in December - and they worked like a charm.

Thanks for stopping by, I hope you enjoyed the images.

    Technical information:
  • Camera: Canon EOS Rebel T3i (crop sensor - 1.6 factor)
  • Lens: Canon EF-S 18-135mm f/3.5-5.6 IS
  • Tripod: MeFOTO Roadtrip Classic
  • Vello White Balance Card Set (Medium)
  • All images - ISO 100
  • All focal lengths are as-recorded - the full-frame equivalent is in parentheses.
  • Focus and exposure were done manually*. The shutter was tripped with a wired remote.
* - I set the focus and exposure manually but that in no way means you have to do that. I was playing with exposures and it is easier to do so in "M". I typically use "aperture-priority" when I am out.

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Monday, August 6, 2018

Still-Life Macro Photography with the Vello Macrofier

Macro Photography

I love shooting macro but don't get around to doing much - especially "true" macro. What I mean by "true" macro is that most people believe the final image must be "life-size" (1:1) or better. A true macro lens can be quite expensive and most "macro" zoom lenses might get you in the area of 1:4 - nice but not true macro.

I've never owned a macro lens but back in my 35mm days I would use a technique that gave me life-size and better; I would remove the lens, turn it around and hold it against the camera body. When shooting with the lens reversed, you would achieve different levels of magnification depending upon the focal length of the lens. Doing this mean that you lost all camera-to-lens communication and were shooting totally manual and your focusing was essentially achieved by moving back and forth until you achieved focus.

A couple weeks ago I received a lens accessory from Vello called the "Macrofier". It allows me to reverse-mount my lens AND maintain full auto-exposure and auto-focus. It can also be used as a set of auto extension tubes. I played around with it right after it arrived and had some fun but over the weekend I decided to do some more serious work. I set up my tabletop studio - light cube and lights - and spent a couple hours shooting some coins and a golf ball. These images were made to support an upcoming YouTube product review I am working on - I will announce it when published.

I'm not going to get into much detail here, I just wanted to present some of the images I made. I am going to write a full product review here on the blog in the coming weeks and will have the YouTube video up some time in the next week or so. The will also be an installment of "Improve Your Photography" in which I will dive into the world of macro photography but for now, just check out the images.

Notice how shallow the depth of field is for the first two images, that is something you will always battle when shooting macro and is one reason I like using a tripod in a controlled environment.

What are your experiences with macro? Do you have a dedicated lens or do you use some other technique? Leave me a comment below - I would love to hear from you.


All photos are copyright Joseph S. Valencia All Rights Reserved They may not be used in any way without express written permission of the photographer. If you wish to use any of the photos you may contact the photographer at valencia32photo@gmail.com

Wednesday, April 19, 2017

An Abstract in Yellow

In an earlier blog post, An Abstract in Red, I wrote that I don't often do abstract work. That's true but I do enjoy it from time-to-time. I decided to have a bit of fun with this image, the unretouched image is shown above. This was taken in my backyard a few years ago as I was about to enter the woods for a hike. It was a sunny day and by exposing for the underside of the leaves I totally blew out the sky - not always what you want to do but in this case it made the photograph.

I decided to take the original image and play around a bit. I recently wrote Improve Your Photography: Editing - Selective Color where I discussed highlighting elements of an image by making everything around it monochrome - I did that here. I then decided to invert the mask I used and make the single leaf black & white.

Lastly I just got tight on some of the leaves to make it a little more abstract.

I used this technique just to mask the color but there is so much more you can do - I could have change the black & white selection to red, for instance. This is a great "rainy day" project and a lot of fun. You will need an editing package that allows you to work with masks - I use Photoshop but there are many others, including the freeware GIMP. You can get Photoshop & Lightroom on a subscription basis for $9.99/month - just follow this link

While I guess these aren't "true" abstracts it is about as close as I usually get. It's a great exercise to break out of your comfort zone from time-to-time and shoot things in ways you never have before. In this case I was shooting up which is not something I do a lot of, at least not in this manner. Try getting down on the ground and shoot from a low angle, climb a tree and look down. The possibilities are endless and you will be surprised at how fun it can be.


All photos are copyright Joseph S. Valencia All Rights Reserved They may not be used in any way without express written permission of the photographer. If you wish to use any of the photos you may contact the photographer at valencia32photo@gmail.com

Wednesday, March 29, 2017

A Grasshopper's View - ground level photography

Ah yes, did you ever wonder what the world looks like to a grasshopper? No? Honestly, I never did either but I have a feeling the photos here come close to capturing the experience. Ground-level photography (for lack of a better phrase) is something that not a lot of us think about but maybe we should. When I started seriously exploring photography I didn’t think twice about laying in the dirt (or grass or sand or whatever) and doing whatever was necessary to get the shot. Today my first thought is – can I get back up? Well, I have made a decision to re-examine the world from ground-level whenever I can.

The Weeds

I visited a park one evening and was content just to sit and listen to the birds while the sun slowly set but, of course I still had my camera at the ready. I was looking around when a lone dandelion caught my eye with it’s big white head a stark contrast to the sea of green all around it. I thought about getting down and shooting it but as I got up from my chair I saw these weeds reaching up through the grass. I was drawn by the “glow” and thought the subject was worth exploring. I popped open the screen*, set the camera to “Live View” and got down on one knee. Holding the camera about an inch or two from the ground I started shooting. I had the lens wide open (f/5.6) to minimize my depth of field and really throw the background out of focus. (For more on Depth of Field, refer to "Improve Your Photography: Depth of field – what it is and why you should care")

A View from Below

This shot is quickly becoming a favorite of mine. I don't remember the exact circumstances but a friend had posted on a social media site that they were feeling down - could someone cheer them up. My wife has a variety of flowers planted throughout our yard so I went out to see what I could find. I was only looking for a quick snapshot so I went out armed only with my smartphone. I love the colors of this flower but the light was a bit harsh and I couldn't get a good angle without my shadow so I decided to shoot up. This is a perfect example of what can be done with the lowly smartphone camera. I did get down on a knee for this but certainly didn't have to crawl around in the dirt.

Speaking of Dandelion

This tight shot of a dandelion was taken during a lunchtime walk and had decided to mount my old Canon 80-200mm f/4L on the DSLR. I have had this lens for about 30 years and still bring it out on occasion, even though manually focusing can be a bit of a chore these days. While I, thankfully, didn't have to lie on the ground to shoot this I did sit so that I could get closer to it's level and still have a steady base.

Spring is Here!

Few things say "Spring" to me than seeing the first daffodils poking throw the ground. I have groups of them throughout my yard and find myself shooting them year after year. This was a time I did lay in the dirt; there was no way around it. I will often go out every day (or every other) and shoot them from the very first time they break through to when they are in full bloom. I have had times when I shoot one day in glorious sunshine and the next I am laying in an inch or two of snow. This shot was taken after a brief period of rain. Plants and flowers are always a bit more photogenic with some water on them; don't you agree?

The Dock

I leave you with the most difficult image to shoot. I was hiking through Turkey Swamp Park after work one afternoon when I came across this scene. It was so tranquil and inviting - I immediately know it had to be a panorama and it had to be shot from ground-level. I was on the dock just a couple feet from the shoreline. I didn't have a tripod so I had my elbows on the dock, camera turned to portrait and started shooting. I didn't have my T3i with me, I was shooting a Nikon D60 which doesn't have the flip-out screen so I had the camera up to my eye. It was awkward but worth the trouble.

I hope I inspired you to get out and get down. Working at ground-level presents it's own set of challenges but I think the result is well worth the effort. What do you think? I'd love to hear your stories - leave a comment below.

* - I own a Canon T3i which makes ground-level work easier than ever; the screen at the back of the camera swivels. This is great because I can hold the camera down low, tilt the screen, compose and shoot. This technique also makes it possible to take shots that would be very difficult, if not impossible, to shoot with the camera to your eye. Have you ever tried to shoot up at a dandelion? Not easy! Now, I still get down on the ground when I need to but it isn’t very often anymore.


All photos are copyright Joseph S. Valencia All Rights Reserved They may not be used in any way without express written permission of the photographer. If you wish to use any of the photos you may contact the photographer at valencia32photo@gmail.com

Sunday, March 19, 2017

An Abstract in Red

I don't do a whole lot of abstract photography and is one of my more abstract images, taking advantage of the vibrant red color of the autumn leaves, it is quickly becoming one of my favorites. The image was taken at Lake Topanemus Park in Freehold, New Jersey. I was out for one of my regular lunchtime walks – with my camera, of course, and the day was somewhat dreary. There wasn’t much going on and I had walked almost a mile without even thinking about picking up my camera. I was heading back to my car when I looked to my right, just on the fringe of the wooded area next to the trail I was on. These leaves just about jumped out at me begging to be shot. I took three (3) or four (4) slightly different shots of this group and then moved on to a different tree with different red leaves and red berries.

I am happy with a few of the images but this one just hits all the right notes for me. I like getting in close with a telephoto and using a big aperture (250mm, 1/320 @ f/5.6, ISO 500) to compress the background while throwing it out of focus. That is one of the things I most like about close-up photography – a slight change can make a completely different image and mood. I could shoot this image with a wide-angle lens with exactly the same framing but it would look and feel completely different because the background elements would appear more distant. Shoot a 400mm @ f/2.8 and maybe only the first two (2) foreground leaves are in focus. The possibilities are virtually endless.

Why not show some of YOUR abstract photos in the comments below. I would love to see them.


All photos are copyright Joseph S. Valencia All Rights Reserved They may not be used in any way without express written permission of the photographer. If you wish to use any of the photos you may contact the photographer at valencia32photo@gmail.com

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