Showing posts with label Jersey Shore. Show all posts
Showing posts with label Jersey Shore. Show all posts

Thursday, October 1, 2020

An Incredible Beach Sunrise

Ocean Grove Sunrise

I finally got out for a sunrise and what a sunrise it was!
Never let the fear of striking out keep you from playing the game. - Babe Ruth⁠
I've always liked this quote - Babe knew a lot about striking out but it didn't keep him from being one of the all-time greats and setting records that took decades (and drugs?) to break. ⁠I chose this quote because I almost stayed home on the morning I made these images. I woke up early but wasn't convinced that the conditions were going to be overly favorable, it would have been easy to go back to bed. I chose to go anyway and was treated to one of the best sunrise photo sessions that I have had in a very long time.⁠

I arrived rather late - about 6:10 AM for a 6:37 AM sunrise but I am quite familiar with the location and already had a composition in mind so I really need the extra time to scout. I was walking down to the water when I noticed a photographer with a tripod set up at the end of the pier; I asked if I was going to be in his way and he assured me I would not. It seemed to be that he was only interested in the horizon but it didn't matter, he was gone about 10 minutes later.

I set up with the remains of the jetty as my foreground, grabbed a few images and then a fisherman looked at me, decided he wanted to get in the picture and stood right in the middle of my composition. DAMN! I had to move.... All was not lost, though. I moved to the other side of the pier, got Ralph in the frame and squeezed off a few. I guess I should thank Mr. Fisherman but not today. The fishing must not have been very good because a few minutes after making me move, he went back to where he was - as did I.

This was right about the time that the sun started peeking over the horizon. This was also when the waves were getting a bit larger, more frequent and reaching me. I got so engrossed in the scene playing out in front of me that I did not notice the encroaching water. That is, until it washed over my feet and lower third of my tripod! Yes, I ended up getting wet to about four (4) or five (5) inches above my ankles and the first two sections of my tripod – it wasn’t fully extended. The soaking repeated a few times but after the first there was really no reason to move; actually, the exact opposite was true. I was in the perfect location this morning.

As the sun was moving higher on the horizon, I adjusted my composition to get in tighter on the rocks and crashing waves while still getting some of the Golden Hour color. I was so engrossed in what was happening I failed to see the low-battery warning light flashing. A quick look in my bag for my back-up battery yielded nothing. I never put it back in my bag after charging it! Having a spare battery is a great thing – leaving it on your dresser isn’t……. A few minutes later everything went dark, the battery was dead.

It’s just as well. I was losing the light; my feet were soaked, and I had to get back to the house to work. That is the one silver-lining to this pandemic – I now work from home full-time and so getting ready for work is simply sitting at the computer and logging in. It also gave me an opportunity to upload my images to see what I got. A few quick edits and then sharing with some friends for initial feedback. Their reactions confirmed my excitement and I spent much of my lunchtime refining the images. It wasn’t until this second editing session that I noticed the little blue float and rope tangled up in the rocks. It appears in a few images, but I would like to have been a bit more deliberate and purposely include it in a few compositions. Fortunately, it is still there, and I can go back whenever I want. Perhaps the next time I will go for a sunset and get that wonderful golden glow on the face of the rocks!

Thanks for stopping by, I hope you enjoyed the images.

    Technical information:
  • Camera: Canon EOS Rebel T3i (crop sensor - 1.6 factor)
  • Lens: Canon EF-S 18-135mm f/3.5-5.6 IS
  • Tripod: MeFOTO Roadtrip Classic
  • All images - ISO 100
  • All focal lengths are as-recorded - the full-frame equivalent would be the value shown times 1.6.
  • Focus was done manually. The camera was in "aperture-priority" and all images are at f/8.0. The shutter was tripped with a wired remote.

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Sunday, April 7, 2019

The Jersey Shore: Ocean Grove


This post was originally written as part of a series titled, The REAL New Jersey. After the series was cancelled I decided to re-write some of the previously published posts and republish them as time allows. I am beginning with Ocean Grove due to the "unofficial" start of summer this upcoming weekend.

The Jersey Shore: Ocean Grove

Introduction

Ocean Grove is a small community nestled between Asbury Park and Bradley Beach. It was founded in 1869 by the Ocean Grove Camp Meeting Associations by Methodist clergymen, William B. Osborn and Ellwood H. Stokes. The statue in the first image is of Ellwood Stokes. The name, God's Square Mile has been given to Ocean Grove; each year tents are erected by the auditorium and are lived in, as they were more than 150 years ago. Church services are held in the auditorium, as well as shows and high school graduations.

When I was growing up the gates on Main Avenue were locked on Sundays - no cars were allowed. In the days before the invention of the automobile this prohibition applied to horse-drawn carriages. The ban was lifted by the New Jersey Supreme Court in June 1979 but the beaches are still closed on Sundays between the hours of 8:30 AM and 12:00 PM. Oh, and the town is "dry" - there is no alcohol sold within it's borders.

The town has been part of Neptune Township since 1921 but remained independently ruled until 1981 when their police department and court disbanded. You can read more about Ocean Grove here:

Ocean Grove

For me, there are only two (2) times of day to be in Ocean Grove - daytime and nighttime! Honestly, I can't think of any time when it isn't a good time to be there. I am quite partial to sunrise, though. Ocean Grove and the Fishing Pier were my go-to spot for sunrise. That was before Superstorm Sandy blew thru in October 2012 and destroyed the pier. They rebuilt most of the pier but stopped short of where the fishing shack used to sit. There is a plaque bolted to one of the pilings with Ralph sitting off to the side. Who's Ralph? He's the old fisherman "mascot" of the fishing club - he was a fixture at the end of the pier until he got carried away along with everything else. If you want to read more about Ralph, I have a few links below - he even has a Facebook page!

Ocean Grove is still my favorite sunrise, especially during the fall and winter when no one else is around. I've said it before and I will say it again - nothing beats the magic of a sunrise over the Atlantic Ocean. Now, sunrise isn't the only time Ocean Grove is photogenic; I have seen some wonderful sights during sunset, too. I have watched the setting sun disappear behind the Great Auditorium, creating a beautiful technicolor background to the steeple. If you are there for sunset (or sunrise for that matter) don't limit yourself to only watching where the sun is - sometimes the best show is off to the side or directly opposite. The golden glow can transform the ordinary into something truly spectacular.

The Beach

I did mention that Ocean Grove has a terrific beach, didn't I? It's true, I wouldn't lie to you about that. Whether you are chasing sunrises, striped bass, waves or rays, Ocean Grove is a place to enjoy a relaxing time by the sea. If you are going to be there during the summer months, I would suggest getting there quite early as parking fills up quickly and you may need to walk a considerable distance if you wait too long. Just don't get there too early on a Sunday, remember - the beaches are off limits between 8:30 AM and Noon.... There are restrooms and changing rooms located where the Ocean Grove Beach Office is at the end of Embury Avenue, where the pier is. There are several other entrances to the beach, including ones at Main Avenue and Ocean Pathway.

Bring a cooler (non-alcoholic beverages, please) and spend the day. If you don't want to haul food with you, you can easily walk to one of many restaurants and ice cream parlors within a few blocks of the beach. Until a few weeks ago, at the north end of Ocean Grove you don't even have to leave the beach for food, drink and ice cream. There was a nice group of restaurants called the Dunes Cafe, right on the beach but there was a fire this past April. The fire completed destroyed the building. There are a few different scenarios being discussed, including bringing in food trucks. Why would you go anywhere else?

The Great Auditorium

I briefly mentioned the auditorium at the beginning - it is a magnificent structure both inside and out. I only remember being inside once, for my daughter's high school graduation, but hope to get back again. The auditorium was built in 1894 and originally sat 10,000 people; today 7,000 people can be seated for everything from worship services to Beach Boys concerts to high school graduations. The first thing you will notice is the incredible pipe organ - it has 11,000 pipes and is one of the Top 20 in size in the United States.

The auditorium's acoustics rival the magnificence of the building and organ - built long before the days of amplification it was designed to carry the preachers voice to those furthest away. This makes the auditorium an excellent place for taking in some entertainment - some of the headliners have been:

Each spring since 1984 the auditorium hosts the "Annual Law Enforcement Memorial Service". The service pays homage to those law enforcement offices who lost their lives in the line of duty over the past 12 months. Law enforcement agencies from all over the state come to Ocean Grove to remember and honor the fallen.

Architecture

If you take a drive, better yet a walk, thru town you can't help but be struck by the beautiful architecture, much reflecting the late Victorian era. The buildings may be somewhat small, like the Thornley Chapel shown here or grand displays like The Ocean Plaza Hotel. A walk up Ocean Pathway will be met with beautiful homes, hotels and gardens - not to mention a great view of either the Great Auditorium or the Gazebo and ocean. If you are in town during the encampment you will find more than 100 colorful tents, too.

The Boardwalk

I would guess that most, if not all, of you reading this know the song Under The Boardwalk by The Drifters. I have always liked the song and I was surprised to learn that there are some people who don't know what a boardwalk is! I couldn't imagine; the boardwalk is so much a part of life here and I have spent countless hours "walking the boards." The Ocean Grove boardwalk is about 2/3 mile long, connecting with the boardwalk in Asbury Park to the north and Bradley Beach in the south. You can get on the boardwalk in Ocean Grove and walk for miles before running out of boards. Of course, all of the boardwalks are new, courtesy of Sandy. In Ocean Grove, at the end of Ocean Pathway you will find a gazebo on the boardwalk. During the summer outdoor concerts are held here but you are always welcome to sit in the shade and enjoy the sites and sounds. The gazebo is also available for weddings and other celebrations.

Food

If you walk just a few blocks from the beach you can find just about anything you desire - from the basic burger & fries to more eclectic gourmet meals. A walk up Main Avenue offers more variety and wide price range - also ice cream.

Have you noticed ice cream shows up in my writing a bit often? That's because I believe it should be it's own food group and it should be consumed at every meal. Ocean Grove gives you two (2) wonderful options for your ice cream indulgence - Nagels and Day's. It wouldn't be fair to pick a favorite because I have only been to Day's once but I can tell you that you will find a line at both places so.... Nagels also serves a wide variety of food at the restaurant inside.

Hotels, Inns, Bed & Breafasts

There are a surprising number of places to stay for such a small area and each place has it's own charm. I haven't stayed at any of the places in town but did get a brief tour of the Majestic (on Main Avenue) earlier this year. It is a very nice place and the hostess/innkeeper was very helpful and friendly. If you like something with a view of the auditorium and beach, check out the Ocean Plaza Hotel, shown here.

Local Art & Shops

I will finish up with the local art gallery and shops along Main Avenue. The Main Avenue Galleria is owned by Norma Tolliver and features work from local painters and photographers, as well as jewelry, furniture, sculpture, ceramics, etc... If you get a chance, you have to stop in and take a look around. I interviewed one of the photographers from the gallery - Interview with Jersey Shore Photographer Dan Falvo. You can take home a little bit of Ocean Grove to hang on your wall.

Gift shops line both sides of Main Avenue, many offering one-of-a-kind handmade or vintage items and there are plenty of clothing store options to choose from. You can also rent a bicycle from Ocean Grove Hardware - that is a great way to travel around town, just be aware of the boardwalk restrictions for riding.

Links to websites and other information

How to get there

Ocean Grove is a 60-90 minute drive from both the New York City and Philadelphia areas. See right for public transportation options.
  • FROM NORTH JERSEY: Take the Garden State Parkway south to exit 100B and follow Route 33 East to Ocean Grove.
  • FROM SOUTH JERSEY: Take the NJ Turnpike North to exit 7A. Follow Rte 195 East to Rte 35 in Belmar. Take Rte 35 around Shark River & across the inlet. Travel north onto Memorial Drive (follow sign for Bradley Beach), parallel to the railroad tracks for 2 miles to Corlies Avenue. Turn right across the tracks and into Ocean Grove.
  • FROM THE WEST: Take Rte 18 South to the Rte 33 East exit in Neptune. Follow Rte 33 East (Corlies Ave) to the end. Or, take Rte 195 East from the Trenton area to Rte 35 in Belmar & follow directions from South Jersey.
  • FROM THE EAST: Get in a boat, set your GPS for 40°12'36.3"N 74°00'09.3"W and don't stop until you hit the beach. 😉 😃

The "Special Guest"

So! Did you figure out who the "special guest" is in the seascape at the top of this post? If you did, good eye! If you didn't, I will end the suspense. If you take a good look at the main cloud, towards the right of it you can see the shape of Wile E. Coyote! Do you see it now? I wasn't aware of it until after I got home and started processing the images.
All other photos are copyright Joseph S. Valencia All Rights Reserved They may not be used in any way without express written permission of the photographer. If you wish to use any of the photos you may contact the photographer at valencia32photo@gmail.com

Tuesday, February 19, 2019

DAMN, IT'S COLD! It's Time To Hit The Beach For A Sunrise!

Sunrise - Spring Lake, New Jersey

Disclaimer: I mention a local hotel and some equipment in the following blog post. This post is not endorsed by them in any way nor am I being paid for writing this or mentioning them. If you purchase something, I receive absolutely nothing.
My wife and I went away for a long weekend with our good friends, Danny & Debbie. We stayed at the Hewitt Wellington Hotel in Spring Lake. I had photographed the hotel one night - I was there to photograph St. Catharine and the park across the street but after the sun went down I was drawn to the hotel reflecting in the lake. You can view that image on my Instagram feed in black & white and in color. I posted a couple of the images on Facebook and a friend commented on how nice the hotel was. When we were looking for a place to stay for the weekend, I suggested we check it out. It is quite nice and I would recommend it to anyone looking to stay in the Spring Lake area. The hotel was booked solid for the weekend - in February! - so I would think it might be wise to book well in advance if you plan to stay when the weather is nice. The hotel is about two (2) blocks from the beach so I planned to catch the sunrise on Sunday, if I was awake. I knew it was going to be cold and the weather forecast was "iffy" so I wasn't going to set an alarm and wake up my wife. As luck would have it, I barely slept all night and at 6:00 decided to get dressed and walk to the beach. The Weather Channel said it was 27°F with 18°F windchill but they weren't at the beach! I swear the windchill was more like 0°F standing at the edge of the ocean.

I no longer own a pair of gloves, I lost mine (driving gloves) a couple years ago while out on a hike and just never bought another pair. The winters in New Jersey have been somewhat mild with occasional "arctic blasts" so I haven't been able to justify spending $70 or more for a good pair of photographer's gloves. This sunrise excursion had me questioning my decision.... Fortunately I have a Canon cable release for my camera (a Canon Rebel EOS T3i) and I was able to keep my hands in my jacket pocket much of the time; even with this, my hands were bright red and barely functional when I was putting my gear away after about an hour. I think I might break down and buy a pair of Vallerret photography gloves next fall and a good balaclava to keep my head and neck warm. If you own Vallerret gloves - how do you like them? Are they really as good as they say they are? If you have other gloves, which ones and would you recommend them? I am also open to recommendations for a balaclava - I've never owned one.

Now on to the sunrise! The official sunrise time was 6:45 and I arrived at the beach just before 6:15, plenty of time to find a composition and set up. I had the added advantage of having been to this exact spot on the beach a week or two earlier so I had a composition in mind before I got there. I wanted to use the jetty as a mid-ground and the scattered rocks on the beach as foreground. The tide was coming in and much higher than the last time I was there - the foreground rocks were almost entirely swallowed up by the incoming waves. You can see the clouds in the first image - those were the only clouds in the sky that morning and they never moved. Well.... later that morning the clouds rolled in - plenty of high, wispy clouds with a nice mix of low, puffy clouds. Had they come a few hours earlier the story would have been a whole lot different. I guess if the conditions were always the way you wanted them to be, landscape photography would get pretty boring - huh? 😉

I set up the tripod about as close to the water as I dared and fired off a couple test shots. I wanted to get a fairly long exposure to help smooth out the water and stopping down to f/11 gave me a 10 second exposure for the first image. I would like to have gone with a 25 or 30 second exposure but didn't want to stop down any more than f/11 or f/13 and the thought of fooling around with ND filters in the cold was not appealing to me. If the conditions were better, sure, but not this day. Overall I'm happy with the first image but I may have been able to add a stop or so to the exposure and open up the shadows a little more; maybe even a little "light painting" with my headlamp or flashlight.

As I was waiting for the sun to rise, I turned the camera south and made an image of the beach before turning the camera to the north and doing the same. The second image shown here is the north-pointing image. I stopped down to f/13 to get a 30 second exposure. When I checked this shot on the back of the camera I was quite happy with this image - the lamps on the boardwalk gave me a nice star and the water looked nice; it wasn't until I got home on Monday and started processing it did I notice the Belmar Fishing Pier in the distance. I think it adds a great touch, what do you think?

Lastly, once the sun started peeking over the clouds I grabbed a few more of the jetty but the sun was too harsh and I wasn't thrilled. I was about to put the camera away when I looked down and saw the sun starting to creep into the reflection on the wet sand. I liked the way the water was reflecting the sun and color in the sky so I composed the frame and starting shooting. I wanted to make sure I got it right - not too much water but enough. The exposure for the image I settled on was 1/25th @ f/11. It was taken within 8 or 10 minutes of sunrise. Once I thought I had what I needed I headed up to the boardwalk to put my gear away. There is a pavilion to provide at least some relief from the wind. By this time my hands were bright red and I was barely able to work the clips on my backpack to get it open but there was no way I was carrying the camera on the tripod all the way back to the hotel. I got everything put away, put the pack on my back and headed for the hotel and coffee maker! It took about an hour before I was completely warm....

I hope you enjoyed this post and the images. I would love to hear what you think and also hear about your experiences shooting sunrise. What were the most difficult conditions you have had to fight? This past Sunday weren't the worst I have endured but they are in the Top Ten. Until next time - get out and enjoy what Mother Nature has to offer while we still have a chance!


All photos are copyright Joseph S. Valencia All Rights Reserved They may not be used in any way without express written permission of the photographer. If you wish to use any of the photos you may contact the photographer at valencia32photo@gmail.com

Monday, January 21, 2019

It's Cold. It's Windy. It's Time For The Beach!

I went out to lunch with my wife yesterday and we decided to take the long way home, driving along the ocean. When we got to Bradley Beach I could see some spray peeking over the top of the dunes so, of course, I had to stop. I didn't have my DSLR with me but had my phone and thought I would be able to get a good shot for my "365 Project" (see 2019 and my 365 Project.)

The wind was quite wicked, really whipping up the waves and blowing spray - in other words; perfect! I found a group of rocks being pounded by waves and then a small group scattered in the sand. I could tell they were still being hit by water at times but it appeared the tide was receding so I figured I was safe. I was, for the most part, right about that except I almost got wet when a couple larger waves came in at once, pushing the water further up the beach than I had previously seen. Luckily I noticed the oncoming water before it was too late - the result was this black & white image.

I was able to stay on the beach for about 10 minutes and shoot about 15 or so images before it got too cold. I was not dressed properly - this was a last minute decision so I only had a lightweight, insulated jacket and no hood. I haven't been able to find a pair of gloves suitable for photography that were warm and reasonably priced so I don't wear them when I am out - in fact, right now I don't even own a pair of gloves. I guess some day I will have to break down and buy a pair but it's hard to justify because we don't really get that many days when I absolutely need them.

I'm keeping this post short, just wanted to share a few of my images from the beach. Hopefully I have encouraged you to get out and shoot, cold, wind, rain, snow; doesn't matter, there is never a bad day to be outside shooting. Each type of weather system brings challenges - facing and conquering those challenges is what makes us better photographers.


All photos are copyright Joseph S. Valencia All Rights Reserved They may not be used in any way without express written permission of the photographer. If you wish to use any of the photos you may contact the photographer at valencia32photo@gmail.com

Wednesday, October 3, 2018

Slow Exposures at the Beach in Ocean Grove

Slow Exposures at the Beach

Ah.... Autumn is here and that means I get to start going to the beach again! Yes, I know, most people go to the beach in the summer. That's why I wait until after the summer - the crowds are gone and, often, I can have the beach to myself. I'm also not one to "sunbathe" - I go to shoot. I like shooting long exposures, especially when there is moving water, but here I am talking about "slow", not "long" exposures. These images were shot between 1/3 and 1/13 second; I will give exposure information at the end of the post.

The Fishing Pier

I recently took some vacation time and my wife and I went to Ocean Grove late one afternoon. The day was hazy and hot with a rather strong breeze - the landscape was flat and dull but I had my gear with me and was determined to shoot. In my years as a landscape photographer I have learned to make lemonade from lemons; when the grand landscape is unphotogenic, it is time to look small and get tight. The tide was rising which was to my advantage, as was the strong breeze.

If you are familiar with the pier at Ocean Grove, you may remember the shack at the end where the fishing club met and fished. (You can see a couple images of the old pier in my blog post titled, God's Square Mile - Ocean Grove, New Jersey) The pier was destroyed in 2012 when Superstorm Sandy blew thru; most of it was rebuilt but they stopped short at where the shack was located. Today there are some of the original pilings and a few broken ones. I decided to concentrate on a broken one that was being hit by incoming waves.

It seemed as though Mother Nature knew what my plans were and decided to have some fun at my expense. As soon as I got my gear set up and decided on my composition, the breeze subsided a bit and the waves lessened in their size. The water was still getting to the broken piling but there was nothing dramatic. I have been playing this game too long to think it was going to be easy - one of the first things you learn about landscape photography is that conditions are always changing and there are no guarantees.

It didn't take long before the wind picked up and waves started coming in a bit bigger. Still, I wasn't getting the violent crash with a great amount of spray that I was looking for. It took 10 or 15 minutes of nothing and "near misses" before I got the shot labeled "Fishing Pier #1". It looked good on the back of the camera but I took a few more, just in case. I liked that particular piling but wanted to try a different composition so I moved back a bit towards the end of the pier. My original idea was to frame the broken piling with new ones on either side - it wasn't a bad composition but I think the image labeled "Fishing Pier #2" is better. You can see shadows of the other pilings and tell that it was quite late in the day.

The Jetty

Just to the north of the pier is a small jetty - you can see some of it in Fishing Pier #2. I tried a few images after I finished with the pier but wasn't happy with the way the water was playing with the rocks. I went back a couple days later to re-focus on the jetty and came away with the images presented here. The wind wasn't blowing nearly as hard as previously and the tide was a bit higher and still rising. My goal was still to get crashing waves and dramatic spray but I also wanted to capture some fluidity in the water. I wanted some flowing over and around the rocks. In some ways shooting the jetty was easier and in others it was harder. It was easier because the conditions were better and I had far more compositions to choose from. It was more difficult because it was a more complex subject and that made predicting how the water would act a lot more challenging.

There were times when I caught a nice splash but the pooling water didn't look quite right or water spilling over the rocks completely obscured them. Other times I had some great flow but there was no splash. The images shown here were shot on the north side of the jetty, I moved to the other side before leaving but there were no images to be had; the water was breaking from the north and so the waves were not crashing over the rocks on the south side of the jetty. I did a few test shots of the rocks at the south tip - the ones you can see in "Fishing Pier #2" - but there was nothing, nor did I get any good images when I got on top of the jetty and shot out to sea.

In Conclusion

Overall, I would say that both sessions were successful but they left me with wanting more. I can't wait to get back to the beach and explore more possibilities with both the pier and the jetty. There are other jetties along the Ocean Grove beach and I will explore them, too. Other towns have their own piers and jetties, each with their own unique characteristics. There is also the option of using long exposures - 10, 20, 30 seconds or more. The longer exposures will require using neutral density filters and while I do have a set of filters, stacking them to give me exposures of those lengths can cause issues (see my review of the filters - Product Review: Formatt-Hitech Filters) so it may be a while before I can plan the really long exposures. I also want to do some long exposures - in the range of 1 to 10 seconds - during sunrise and sunset.

What experience have you had shooting slow exposures? Have you shot at the beach like I did or some other subject? I would love to hear your thoughts and experiences - leave a comment below.

Exposure Information

ImageShutter speedApertureFocal length
Fishing Pier #11/13 secondf/16100 mm
Fishing Pier #21/10 secondf/3241 mm
The Jetty #11/3 secondf/2231 mm
The Jetty #21/5 secondf/2221 mm
The Jetty #31/3 secondf/2219 mm

All photos are copyright Joseph S. Valencia All Rights Reserved They may not be used in any way without express written permission of the photographer. If you wish to use any of the photos you may contact the photographer at valencia32photo@gmail.com

Monday, August 13, 2018

Sunset in Spring Lake

The weather has been so bad lately - very hot and so humid it was tough to breathe - and I had gone a while without doing much "real" shooting. Last Thursday I caught a break - still not a great day but the best we had experienced in a while - and I decided to go out to catch a sunset. I thought about going to Maclearie Park but then remembered a friend telling me about St. Catharine Church in Spring Lake. I had driven by there a few times in the past but never thought about it as a sunset location but if Dave said it was good, I was going to check it out.

The decision to shoot that night was a last-minute one and it gave me only about 10 minutes to find a composition and set up before sunset. If I were going somewhere familiar, like Maclearie Park, this wouldn't have been too bothersome but I had no idea what I was going to find when I got to this site. Under normal circumstances I would like to have arrived 45 minutes to an hour before sunset so that I can explore the area and find the perfect spot. Heck, even in a familiar spot I get there early because you never know.... Anyway, I got to the lake and parked on the east side of the lake, almost directly across from the church. I knew I wanted the church in the image but struggled to find a composition that I liked. I like to find some foreground interest - typically a tree - when I shoot a sunset but there was just nothing there for me to put in the frame. The trees were either massive, therefore blocking the sunset, or not in a good place. I quickly gave up and decided to get close to the edge of the lake and use reflections as my foreground.

What cloud cover there was turned out to be quite fleeting but it stuck around long enough to get a few good images. Once the sun set I got in a little tighter on the church and it's reflection in the lake. I also started working with some longer exposures to try smoothing out the water. Overall I am happy with the way the church appears, although I wish it had been lighted a little earlier; it is a little darker in the first image than I would have liked.

Once I was done with the church I turned my attention to the north and the fountain in the lake. It was getting dark and I knew I could get some rather lengthy exposures. I liked the addition of the footbridge but wasn't sure how well it was going to stand out - it is a dark color and in an area with a lot of big trees. The image shown here is one of several compositions that I tried - some tighter, some wider. I like this because I was able to get the shoreline to work as a leading line to the bridge and then around to the fountain. I was hoping there would be some traffic on the bridge - bicycles with lights or pedestrians with flashlights, anything to give a little brightness. I am going to try getting back one night with some helpers and have them shine some lights or maybe pop a flash or two to illuminate the bridge.

So, that's it for today and my Spring Lake sunset experience. Have you shot here? If so, how did you like it? If not, I hope I have inspired you to check it out one night. Who knows, maybe we will run into each other.


All photos are copyright Joseph S. Valencia All Rights Reserved They may not be used in any way without express written permission of the photographer. If you wish to use any of the photos you may contact the photographer at valencia32photo@gmail.com

Monday, July 2, 2018

Maclearie Park - Small Park, Big Sunsets

Maclearie Park

Maclearie Park is a small municipal park in Belmar, New Jersey. On one side you have a highway and the other side is the Shark River which leads into the Atlantic Ocean. Just east of the park is a marina where many charter boats dock; the marina is another great spot for sunsets but that is a story for another day. You may have already seen some of my images from Maclearie Park, if not check out Sunset and a Peek-a-Boo Moon where I not only got a sunset but the added bonus of a full moon peeking thru the clouds.

My Introduction

I have to admit that I never thought about shooting sunsets at Maclearie Park - I had been there with my kids before and have driven by countless times but, for some reason it never got on my list of places to shoot. It wasn't until Dave Schofield (you remember Dave, he was the subject of one of my most popular interviews - Interview with Sports Photographer Dave Schofield. Read it if you haven't already.) Dave shoots there frequently, as well as the marina, and has set the bar high. It has since become a "go to" spot for sunsets and I am often surprised to find new compositions after I thought I had exhausted possibilities. That is one of the wonderful, and frustrating, things about landscape photography - you never know what awaits you.

Trees

I think one of the things that makes the park such a special place to shoot are the trees - especially in silhouette. I have a favorite little tree at the far west corner of the park by a bench. This is the tree in the panorama at the top of the page and the shot with the great cloud formations on the right ("My" tree). I found this tree the very first time I went to shoot but I have since found others that I can use, depending on the conditions. It is easy to get caught up in the beauty of the sunset and focus on the colors but adding some foreground interest will really set your images apart from the rest. You can also use the trees to block out uninteresting stuff - the image above left (Sunset framed by a tree) is one that I found on my last excursion. The sky has some incredible cloud formations but there was also a large expanse of flat, gray clouds between the horizon and the interesting formations. I used this tree to hide the ugly clouds.

Look Away From the Sun

If you concentrate on the sun, you may miss out on some of the best light. The marina sits to the north of where the sun was setting, the image here was shot just a few minutes before the sun disappeared completely. I noticed the lights on the other side of the river and put on a longer lens and stopped down to f/22, knowing I would be able to turn the lights into starbursts. I also wanted the longer exposure so that I could smooth out the water as much as possible. This is one of the few "HDR" shots that I have done - I wanted a darker exposure to capture the warmth of the sky and water but I also wanted some detail in the building and shadows. This image has proven to be quite popular.

My last image for today is an example of a making lemonade when the world gives you lemons. I was at the park for what I thought would be a nice sunset but it wasn't very good. I started looking around and saw this tree with the pastel sky behind it. I was shooting towards the east, away from the setting sun and was initially struck by the muted colors.

In Closing

I hope I have inspired you to get out and shoot a sunset or two, maybe even at Maclearie Park! If you do go to Maclearie Park, I have a few suggestions:

  1. Get there early! This is especially true if it is your first time there. You want to scout the park and look for your composition. I have been there in each of the different seasons and a composition that works in the winter, may not be there in summer. It is also a popular place for people to watch the sunset so you want to stake out your territory.
  2. Bring insect repellent! Obviously, this doesn't apply year-round but definitely during spring and summer. The gnats and mosquitoes can be quite a nuisance and you will spend more time shooing them than shooting. I have been using "Deep Woods Off!" the last couple times I was there and it made a big difference.
These are just a handful of the many images I have of sunset in the park and just a fraction of the compositions available to the photographer willing to look. Have you been to Maclearie Park? If so, let me know what you think. What is YOUR favorite place for sunsets or sunrises? I am also looking for new places to shoot. So, if you find yourself in the Belmar area, looking for something to do - check out a sunset at Maclearie Park, you won't be disappointed. While you're there - if you see me, stop by and say "Hello!", I'll be the guy with the tripod and backpack.

Until next time - get out and enjoy the beauty that is nature!


All photos are copyright Joseph S. Valencia All Rights Reserved They may not be used in any way without express written permission of the photographer. If you wish to use any of the photos you may contact the photographer at valencia32photo@gmail.com

Monday, March 5, 2018

Sunset and a Peek-a-Boo Moon

Sunset

After a particularly rough day at the office I decided to shoot a sunset on the way home. The conditions were okay but I knew I wasn't going to get an incredibly spectacular sky. This shoot wasn't necessarily about getting a great image but rather unwinding and getting rid of a bad day.

When I got to MacLearie Park in Belmar I had about 30 minutes or so until sunset so I took my time finding a composition. I have shot here before but always at the westernmost point so that I can get a sailboat and small tree in the shot. I wanted something different this time so I walked along the water towards the east until I found the tree that is in the first image. I now had a subject but that is a long way from having a composition that I was happy with. I finally settled on the somewhat wide, landscape shot and waited for some color on the horizon.

While waiting, I took out my phone and wandered around - I turned towards the west and got this image of the sky. You can see the edges of the clouds just beginning to get some red and magenta along the edges. I shot this with the camera in Lightroom for Mobile, did some on-location editing and used this as my "I am here, where are you?" social media shot for the night.
I was happy with the first composition but wanted to see if I could isolate the tree a little more so I moved a bit to my left, went from wide angle to a moderate telephoto focal length and shot. I cropped it to a square in post-production and really like the way it came out. This is definitely a tree that is going to get more exposure in the coming weeks and months.

Peek-a-Boo Moon

Don’t pack up your camera until you’ve left the location. – Joe McNally
When the sun was down and I had gotten what I came for I picked up the tripod and headed back to the car. It was a chilly evening but nice so I took the long way. I had not gone far when I decided to take a look at "my" tree from the opposite side - maybe it would be a nice subject for a sunrise one of these days. I turned around and was confronted by the scene shown in the last image. The moon was peaking thru the cloud, I had the lights of the marina and bridge in the distance. I quickly set down the tripod, composed the image and grabbed a few shots before the cloud ate the moon for good.

The quote above is one that I found a while ago and I pull it out every once in a while. I used to pack up my gear when I was done shooting and then head back to my car - it was easier to carry and I could just get in the car and leave. I did this even after I saw this quote! I don't do it any more.... I had an instance where I packed up and an unbelievable composition with near perfect light jumped out at me - I grabbed by bag, set up the camera, pointed it and then muttered a few words that I won't use in polite company. The moment was gone.... I have not packed up before reaching the car ever since.


All photos are copyright Joseph S. Valencia All Rights Reserved They may not be used in any way without express written permission of the photographer. If you wish to use any of the photos you may contact the photographer at valencia32photo@gmail.com

Monday, July 10, 2017

Interview with Photographer Dan Falvo

This week's interview is with Jersey Shore photographer, Dan Falvo. I learned about Dan from my brother, Eric. I got an Instagram message one afternoon telling me I have to start following Dan and that I was sure to love his photography. Well, for a younger brother he is pretty smart. I immediately opened Instagram, checked out some of his work and started following him. Later that day I decided to ask for an interview so that I could introduce him to you. I normally write some personal observations or stories as an introduction but I think I am going to let Daniel tell you a bit about himself, instead. Here is Daniel Falvo, in his own words....

"I only remember growing up and living here along the New Jersey Shore. My passion for photography began with an old Polaroid; I just loved watching the image appear like magic. My Uncle Sam gave me my first real film camera: A Nikon F series with a 50mm Nikor lens,I dabbled mostly. I am a self taught and still learning photographer, Making images is the perfect medium for expressing myself and combining my passion for nature and photography; it satiates both quite nicely.

My images form from the calm that approaches like an old friend when you allow the rhythmic cadence of a waterfall into your consciousness. As you acknowledge this friend your senses shift, you hear the raspy percussion of wind through the leaves, the percolation of running water beneath rocks, the scents of the pines and leaves. Suddenly you and your friend are in an embrace, peacefulness caresses your very soul, and all is well within you. The relentless “dis ease” tugging at your mind releases, your mind calms and shifts into neutral, a long lost luxury. Closing your eyes you inhale, pause, then exhale, open your eyes again to see your surroundings anew. Settling into a different rhythm a natural rhythm you feel wonderfully centered and free of worry. Acutely conscious of the present, this moment, ready to experience all the wonders Mother Nature creates. Every sound, scent and sensation resonates deeply and consciously and you simply experience all that your surroundings have to offer

All of my images are printed on photographic papers with archival inks, mounting and matting materials are used to insure long life. Each material used meets conservation and archival standards. Prints, Canvases, Metal Prints and more are available at the Main Avenue Galleria in Ocean Grove."

The Interview

Personal Questions

What is your favorite childhood memory?

My favorite childhood memory that sticks with me well there are 2. One was watching the slide show of my uncle Sam’s cross country road trip, he was a photographer and his pictures stoked my imagination and secondly was my polaroid instant camera I loved watching the images appear like magic. Both were the beginning steps of my photographic journey one that I am happy to say I am still on and exploring.

What are the five foods you can’t live without?

Cheese, Cheese Burgers, Ice Cream, Corn, Chicken Pot Pies

What’s the best advice anyone has given you and who gave it to you?

Do the work and the rest will come - my Grandfather
(Joe: great advice – simple, yet right on target)

What is your favorite thing to do when you aren't shooting?

Paddling a Canoe w/ my wife, there is a connection when you paddle together thats important to me. To disconnect from the world each week for a time is very important in maintaining and staying in touch with what is truly important.
(Joe: I feel the same way but instead of paddling, I like long walks in the woods by myself.)

If you could spend an hour with any famous person, past or present, who would it be and why?

Any Native American Chief from before Europeans moved west to learn their way of leaving in harmony with our planet, and to see the wonders that were before they were exploited.

Professional Questions

Why photography?

It made sense to me, painting and stuff just didn’t . Making images connects my love of the outdoors with my creative side its a great match and I get to share some special moments through my images..

Can you explain your photography in 10 words or less?

Ill try. I shoot nature and seek the moments that draw me in - its as simple as that

What is your greatest achievement in photography?

To date I would say it is being able to sell my work at The Main Avenue Galleria in Ocean Grove for the past 7 years and discovering I have a small following.

If you could share a gallery show with anyone past or present, who would it be?

Peter Lik I love his perspective and depth of his images

Where do you draw inspiration from when you shoot and what’s your favorite part about the process?

I draw inspiration from the mountains, lakes, stream waterfalls where I canoe and hike The seaside where I live , its where i go to relax and center myself. My favorite part of the process is the emersion in a place the white noise in my head dissipates, my vision sharpens and my mental acuity just elevates, I am fully present in the moment it all becomes seamless.

What is your favorite location to shoot?

Locally its Asbury Park, Ocean Grove & Belmar Big picture the West, planning a trip to the West Coast soon a road trip up the Cali coast, thru Oregon into Washington State
(Joe: sounds like a great trip! I look forward to seeing the images.)

What is your favorite piece of equipment?

My Nikon D800 its just a great camera.

How did you get your start and what advice would you give to someone looking for a career in photography?

My Uncle Sam he gave me my first real camera a NIKON F series film camera, loved shooting Black and White on Film. Advice - wow -Don't worry about what others are shooting. Shoot what speaks to you, what you are truly passionate about then PRINT and SHARE it.

Bonus question

What are your Top 5 "Deserted Island" albums?

  • Natural Mystic - Bob Marley & The Wailers
  • Amos Lee - Supply & Demand
  • DMB Live Tracks Dave Mathews Band
  • Van Morrison’s Greatest Hits
  • Joseph Firecrow - Night Walk Native Flutes

You can follow Dan on Instagram at @danielpstudios
He can be found on Fine Art America - https://fineartamerica.com/profiles/daniel-falvo.html
If you are interested in purchasing prints or seeing more of Dan's work check out The Main Avenue Galleria in Ocean Grove, New Jersey
You can contact Dan at his email address, dan@danielpstudios.net


All images are protected under copyright by the artist. They may not be used without written permission.

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